Latest Flight Artworks images have a D-Day theme

Normandy Typhoon shockwave © Gary Eason

Normandy Typhoon shockwave © Gary Eason

Colchester, 29 April 2019

My most recent D-Day related image is somewhat experimental, depicting as it does the visible shockwave from a bomb dropped by a Hawker Typhoon in Normandy in 1944.

We see the blast across the ground and, most strikingly, through the air.

In very slow motion films of such an explosion you can see a ripple in the atmosphere through the way the light is refracted, distorting the background. This was the effect I sought to capture, as if the image had been caught at just that moment.

Hawker Typhoon shockwave detail Gary Eason sm

Shockwave detail (click to enlarge)

I was sceptical whether it would work. But I decided to have a go, devising multiple overlapping techniques to create the effect.

I like the result. I am still in two minds as to how other people will react and, crucially, whether or not anyone will license the image or buy prints. But if needs be I can always publish a version without it!

The Typhoon had a fearsome reputation as a ground attack aircraft – although in reality the precision achievable by pilots under even ideal conditions was debatable. They could wreak havoc, but they could also miss entirely.

This becomes clear when you read through the accounts in the squadron records, as I did with 193 Squadron.  

Sometimes they report "good results seen by pilots" when attacking German troop concentrations or motorised transports. In a combined operation with 167 Squadron's rocket-firing Typhoons on 27 June they reported that they "completely destroyed" the  headquarters of General Friedrich Dollmann, head of the 7th Army. Dollmann died in the attack.

At other times things did not go so well. For example, 20 June: 'A' flight bombing a Noball target south west of Omer. ('Noball' was a codename for targets related to the V1 flying bombs that the Germans began firing across the Channel into southern England shortly after D-Day.)

"The attack was carried out as briefed but no damage seen to be done by bombs," the record says.

The other point I am making in my picture is that the pilots had to have nerves of steel, to dive straight at targets that were often heavily defended by light and heavy anti-aircraft weapons, while also risking being caught in their own or another aircraft's bomb or rocket blasts.

SPITFIRE ACTION

This new publication follows quickly on the appearance of another Normandy Invasion picture, depicting a Spitfire shooting down a Messerschmitt fighter on D-Day+1 (7 June 1944), which in fact I completed some time ago under embargo.

Normandy_Spitfire_attack_Gary_Eason_tearsheet-2_original

Published version: Normandy Spitfire attack © Gary Eason

This was commissioned to be the double page centrefold in the 2019 Yearbook from the Royal Air Force Memorial Flight Official Club, which I am proud to have been asked to undertake.

The yearbook heavily features D-Day material because this is the 75th anniversary. The action I have depicted involves Spitfire IX MK356, which at the time bore the 2I-V markings of 443 Squadron (RCAF), but which is still in operation with the memorial flight.

MK356 was one of two Spitfires that chased down a Bf109 G-6 close to the mouth of the River Orne, just east of the Sword landing beach assigned to the British 3rd Infantry Division.

Reeling under the fire from the Spitfire's cannon and machine guns, the German aircraft blew up seconds later.

According to 443's record of operations, the action took place "on the deck". That's a term that means different things to different pilots, from perhaps 500ft down to 5ft – but I have shown it as happening at less than 100ft over the river estuary.

We feel reasonably confident that the Luftwaffe pilot was probably Unteroffizier Albert Zillmer. He was lost without trace while flying Bf 109G-6 Werk# 441135 "Yellow 5 + I" of 9./JG3, which had just moved to St. André de l'Eure, 75 miles WSW of Caen. It was near Caen the he and other 109 pilots were "bounced" by 443 Squadron.

Normandy invasion stripes detail Gary Eason sm

Invasion stripes detail

As so often, I had to use a certain amount of educated guesswork in illustrating the Spitfire's markings, particularly as regards the black and white "invasion stripes".



These were executed hastily on Allied squadrons immediately prior to D-Day, using distemper which almost immediately began to wash off in the poor weather. They usually owed more to expediency than to artful technique, and I sought to replicate this by, in effect, hand painting the edges of the stripes in Photoshop.

We don't have a photograph of MK356 from the time and the photos that do exist of other aircraft on the squadron are not exactly in the sharpest high resolution quality. But so far as you can tell it looks as though the pre-existing code letters were outlined in dark paint.

Putting myself in the place of an aircraftsman with a big paintbrush who had been told to get them all done PDQ, I interpret this as an absence of the distemper, so that the underlying camouflage paint showed through, making the code letters, serial number and roundel stand out.

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To buy prints of any of my works please visit www.flightartworks.com.

As well as commercial assignments I also do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingLatest Flight Artworks images have a D-Day theme

Special 460 Squadron coins flown in BBMF Lancaster

 

Coin presentation Gary Eason _DSC8914

RAF Coningsby, 30 October 2017

Squadron Leader Andy "Milli" Millikin, Officer Commanding the RAF Memorial Flight presenting a special commemorative coin to Australian visitor Richard Munro of the 460 Squadron Veterans and Friends Group, at RAF Coningsby.

460 Squadron commemorative coin and certificateThe coin is one of only 12 that were flown on board the memorial flight's Lancaster, PA474, on its return to Coningsby from Duxford on 4 July 2017 in its new colour scheme as AR-L for Leader of 460 Squadron RAAF.

Richard was a key member of the small team that researched the details of the original aircraft and its distinctive nose art of a kangaroo in Wellington boots playing bagpipes.

In his association newsletters, he has described Milli's decision to opt for the AR-L scheme on the Lancaster's port side as honouring all who served in 460 Squadron during World War Two. He aims to organise a visit to RAF Coningsby for veterans and relatives. 

Having the coins flown in PA474 was the idea of another member of the team, Darryl Fell of the current 460 Squadron RAAF, and was arranged by BBMF historian and publications editor (and former OC), retired Squadron Leader Clive Rowley MBE. 

I am proud to say that, having also helped to research the colour scheme, I too have one of them – which is currently being mounted and framed with its certificate, signed by the Lancaster skipper, Flt Lt Tim Dunlop, to go on my office wall.

 

 

Continue ReadingSpecial 460 Squadron coins flown in BBMF Lancaster

Mid-air collision between Lancaster bombers

 

Lancaster ND968-G mid-air collision Gary Eason _DSC9312

"O for Oboe takes a hit"

 

Colchester, 12 October 2017

The airscrews on an Avro Lancaster's engines are about 13ft (4m) across. Spinning at, say, 2,700 rpm, they constitute an awesome power saw.

Apply it to the thin alloy skin of another Lancaster and . . . it makes me cringe even to think about it. The noise alone would be terrifying.

But that is what happened at 14,000ft over Alsace when Lancaster ND968/G, AR-O "Oboe" of 460 Squadron RAAF was hit by another Lancaster, thought to have been NN766 of 103 Squadron.

NN766 crashed in a snowstorm and all seven crew were killed.

Incredibly, ND968 made it back to England, was repaired and returned to service, and indeed saw out the war.

An account of the collision appears in the RAF Memorial Flight Club's autumn journal and I was asked to create a Flight Artworks depiction of the event to span the opening two pages.

You can see what it looks like here; the proper version of the picture itself, with print options and prices, is on the Flight Artworks website here.  

AILERONS JAMMED

Lancaster O for Oboe WIP detail screenshots Gary Eason

The account was written by the late Dave Fellowes, Legion d'Honneur, who was the rear gunner on "O for Oboe", prior to his death in June at the age of 93.   

He described how – along with those in other bombers, as it turned out – his crew had chosen to climb above their briefed altitude to escape thick cloud and bad turbulence on their way to attack Munich on 7 January 1945.

They had just emerged from the cloud when there was a rending crash and the Lanc lurched violently leftwards into a downward spin.

It had been ripped apart along the trailing edge of the starboard wing, jamming the ailerons, and through the middle – obliterating the H2S radar and its dome and almost severing the whole tail section with Dave in it, which started swaying alarmingly.

Remarkably it held together as they jettisoned their bomb load, returned to England and made a long, flat, flapless approach to the emergency field at RAF Manston in Kent.

Years later Dave established that the other Lancaster was most probably NN766, PM-R of 103 Squadron, which crashed that night about 23 miles away from the estimated collision point.

TECHNICAL CHALLENGES

Sketching out my intended composition was something I was able to do quite quickly. I already had a suitable photograph looking down onto thick clouds which I thought would perfectly frame the scene.

I also already had a Lancaster photograph at just the sort of angle I wanted, from the starboard rear quarter and a little below. What took the time was figuring out how to take this splendid machine and rip it open.

I worked on the ailerons and flaps first, creating just enough of the internal mechanism in Photoshop to enable it to be seen through torn fabric and metal, then using what is known as the warp tool to twist it out of alignment, and using the built-in brushes to rip the edges of the metal. While awful to contemplate in real life, this was rather enjoyable to do on screen.

Screen Shot 2017-10-13 at 17.21.37

By far the bigger problem was how to portray the interior of the Lancaster fuselage from an angle that normally you cannot see because it is behind the outer skin and the radome suspended below the mid-upper gun turret.

The last time I visited the BBMF at RAF Coningsby I had taken a couple of photographs of the interior of their Lancaster, PA474. So I knew what it looked like – but from the wrong angle to use in my compilation.

Happily I was able to get their publications editor, Clive Rowley, who had commissioned the picture, to go and stick his camera in from the rear crew door to give me a better idea of the required perspective.

Once I had it clearer in my mind's eye, I then basically built the various pieces of equipment either by adapting the pictures to hand or simply creating elements from scratch – such as the outer and inner parts of the H2S radome, the ribs that frame the aircraft, and the pipework, wires, ammo boxes and runs.

NIGHT

There was also the lower portion of the mid-upper turret to be glimpsed. Its occupant that night was Sgt Ken De La Mare. After exclaiming that the floor below him had gone and the starboard side of the fuselage was missing for about 10 feet, Ken was helped out by the wireless operator, Flt Sgt J Wilson, and moved forward to the "relative safety" of the flight deck.

During this whole process I realised that the damage must have gone through the main joint between the centre and rear sections of the aircraft, which forms a ring just aft of the mid-upper turret. No wonder the tail was swaying.

The "G" suffix that ND968's serial number at the time was a security symbol: it carried the secret AGLT radar equipment on the rear turret, codenamed "Village Inn".

From my point of view this presented essentially another, smaller radome and mounting brackets, and I simply painted these on between and below the spent ammunition chutes on the FN-121 turret with its four Browning .303 machine guns. I made a point of checking that "Oboe" did not have the later, Rose turret with its two heavier weapons.

And then – it was night time. With these wartime operation pictures there just is no satisfactorily realistic way to portray a black aircraft at night so that you can see anything.

Before starting work I had checked that my Artistic Licence permit was still current so, under the pretext that there was quite a lot of moonlight, I splashed light onto the airframe in such a way as to highlight key aspects of the outline.

My rationale for being able to see the interior at all, having done so much work to create it, was that the moonbeams were coming in through the dinghy hatches and gun turret on the top of the fuselage.

I was pleased with the picture, but just to add a sense of drama and dynamism I scattered some debris around, coming off the wing, torn fuselage and smashed H2S. In reality this would probably already have dispersed, but we liked the effect so it stayed in.

And there you have it: a portrayal of a subject I had had in mind for some time, since reading about the fear that stalked bomber crews (one of many) of the risk of collisions in a loose formation of heavy aircraft flying at night, often in reduced visibility and poor weather, without proximity warning radars.  

I hope it stands as a tribute to their bravery and to the sacrifice of the seven men who did not come back from this particular encounter.

UPDATE: 21 November 2017

I was contacted overnight by former ice pilot "Doc" Knight in Calgary, Western Canada, who wrote: 

"I was reading your notes on the mid-air of these Lancs on the night of 7-8 January 1945. My wife's great uncle, Donald Campbell from Kelowna, was one of the air gunners in NN766, now buried in a collective grave with the other six of his crew. He had been briefly in the RCN in 1940, released on a medical after only four months in. Then, through the summer of 1943, he was working in Vancouver at Boeing and serving in the Seaforth Highlanders (Reserve)…I think he had to lie to get into the RCAF that autumn (re: previous medical discharge).
 
"The fellows are not forgotten…Meyer Greenstein was the Bomb Aimer; his sister, Rose Greebler, passed away in Toronto in 2014, made sure that a lasting scholarship in her brother's name carries on at University College, at U of Toronto.
 
"The Nav was Ralph James Lougheed of Winnipeg; his brother Lawrence became a doctor – as their father was – and passed away this spring out in British Columbia.
 
"An article was written this spring in a Wolfe Island, Ontario paper, remembering Millard Horne, the wireless air gunner in NN766; he left behind a wife, Betty Huff of Prescott, Ontario.
 
"I'm still hunting for info on the others, particularly the RAF member of the crew, #2220467 Sgt. R.P. Candy."
 
If anyone has any more info I will pass it on. – GE

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To buy prints of any of my works please visit www.flightartworks.com.

As well as commercial assignments I also do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingMid-air collision between Lancaster bombers

Photographs from Duxford’s 2017 autumn Airshow

Colchester, 7 October 2017

I know Duxford Airshow was a couple of weekends ago but I then went almost immediately up to Scotland for a short holiday with my wife – ok and some landscape photography – so I am now catching up with the processing.

The billed highlight of this year's Battle of Britain Airshow, to give it its proper title, was the bringing together of lots of restored Hawker Hurricanes of various types.

Six Hurricanes Duxford Gary Eason _DSC1981How fantastic to see (and hear) half a dozen of them in the sky at the same time, recalling Duxford's heyday. 

There were several other highlights for me. By a string of circumstances,  including the temporary grounding of the BBMF's Merlin-engined fleet, this was the first, rather belated chance that I had had to see Lancaster PA474 in its new liveries, in particular, the port side scheme of AR-L with its colourful nose art of a kangaroo playing bagpipes. 

Regular readers will know I was first with the news of this proposed scheme, almost a year ago now; commissioned to depict the original Lancaster that wore it, W5005 of 460 Squadron, (now a poster for Memorial Flight Club members); and involved with the search for the guy who had painted it

So having it down my camera lens was a real treat, spoilt only by the wretched bright overcast backlighting that can plague Duxford as an airshow venue. 

"IMPROBABLY ELEGANT"

I also met the author of WK275, being launched at the show, Guy Ellis, as well as the owner of this unique Supermarine Swift F.4 variant, Tim Wood. Guy contacted me earlier this year to ask if I could make the cover artwork. I hope the book does well: Grub Street Publishing have produced it beautifully.

And another was also finally getting to see the Shuttleworth Collection's splendid Westland Lysander in flight. I had seen it before in the hangars at Old Warden Park in Bedfordshire, but not flying. 

Westland Lysander  Gary Eason _DSC2984It is such an extraordinary-looking creation, improbably elegant in flight, and with a terrific history. I had taken a professional interest this year because a depiction of a Lysander on a clandestine operation in July 1944 has proved to be one of my more popular pictures (details here about prints).  

One of the more striking aspects was being reminded just how big it is, for a single-engined airframe, when seen alongside the WW2 fighters on the flight line.  

But if there was one aircraft performing at Duxford that I could have watched all day, it was the beautiful bare-metal Curtiss-Wright P-40C Warhawk of The Fighter Collection (TFC). 

Photography is all about light and nothing revelled in the shifting blue-sky-and-clouds backdrop so admirably as that polished alloy skin. 

I made up the slideshow (above) from a series of frames just as I shot them, not yet cropped for publication. Sigma 150-600mm f5-6.3 DG OS HSM / S on Nikon D750, ISO 100, f10, 1/320 typically. 

It was lovely again to revisit the constantly-interesting display by (I believe) TFC's chief pilot, Pete Kynsey, as the raw images resolved themselves in Lightroom. 

Glorious. 

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To buy prints of any of my works please visit www.flightartworks.com.

I also do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingPhotographs from Duxford’s 2017 autumn Airshow

The search for the Lancaster bagpipes kangaroo artist

 

PA474 photo and W5005 artwork

Left: PA474 this week (Photo: Clive Rowley). Right: detail from my depiction of W5005 in September 1943

Colchester, 30 June 2017

The Battle of Britain Memorial Flight's much-loved Avro Lancaster, PA474, is back in the air after its long layoff for major maintenance and a repaint – which features a new livery and some striking nose art. 

My involvement in this story began last autumn with an invitation to create one of my Flight Artworks featuring the new paint scheme.

The BBMF needed publicity materials featuring pictures of their new-look aircraft, before the aircraft themselves had been repainted. This year two of their Spitfires were also getting a makeover – but those are separate stories.

In the Lancaster's case, the Flight's commanding officer, Squadron Leader Andy "Milli" Millikin, had decided the aircraft would have not one but two new identities.

Its port side would represent 460 (RAAF) Squadron Lancaster W5005 when it was coded AR-L and named "Leader". On starboard it would be VN-T of 50 Squadron, which Milli's grandfather, F/O Douglas Millikin, flew on most of his first tour of operations in WWII.

My brief however was to depict W5005 in 1943 – which had nose art of a red kangaroo in Wellington boots playing some bagpipes, supposedly indicating the origins of one of its crews: Australian, Welsh and Scottish.

I subsequently learnt that the 460 Squadron Veterans and Friends Group had been sounded out on possible aircraft as long ago as January 2016. They were delighted that their squadron was going to be honoured in this way.

Over the winter I found myself in an ad hoc project team that included the BBMF's indefatigable historian and publications editor, Sqdn Ldr Clive Rowley MBE (ret'd); the equally tireless Richard Munro of the 460 Veterans and Friends; and Flt Sgt Daryll Fell of the newly reformed 460 Squadron, now a Royal Australian Air Force intelligence unit.

BOMB TALLY

Clive had determined already through his researches that the Lancaster described in various sources as being the one that had carried this nose art, JB607, could not have done so. The tally of bombs painted alongside the kangaroo in various surviving photographs showed its aircraft had completed at least 30 operations – and JB607 had been shot down after only nine.

The 30 ops did match W5005's record – sort of. Painstaking reading through 460 Squadron's operational records books had thrown up a problem, however, until Clive realised how the three rows of yellow bomb symbols must have been painted: middle row first, then the third row (with ice cream cones signifying trips to Italy), then the partially completed top row, with red bombs denoting attacks on Berlin. 

One thing I was keen to know from the outset was who had painted the original nose art, which is of a good quality as these things go. As it turned out, this would prove to be a key piece of the jigsaw in identifying which crew had been flying W5005 when the kangaroo was painted – and, therefore, had probably 'commissioned' it.

Zooming in on a picture in the Australian War Memorial (AWM) archive suggested that, unusually, the work had been initialled: it looked to me like "F.W." but it was not clear on the low-resolution version available at the time. Rummaging around in aircrew and groundcrew records was not turning up any name that would definitely fit that.

CLINCHER 

Richard Munro had mentioned a newsletter article he had written in June 2009 about a 460 Squadron veteran who had made nose art and painted the bomb symbols recording aircraft operations. This was Fl Lt Thomas Victor ("Vic") Watts DFC & Bar. Richard contacted his daughter on the off-chance that he might have left a portfolio of some sort.

We agreed the initials might perhaps be "T.W." (Thomas Watts). Searching for that name in the AWM image collection I found a photo of Watts himself at work on another Lancaster.

Then the penny dropped. What if those indistinct initials were "V.W." ("Vic" Watts)? This picture on the left, which was not signed, showed Watts at work, according to the caption in the AWM archive. I reckoned the same artist might well have painted the nose art on the right – which was signed. 

 

AWM: photographers unknown

Vic Watts at work (left) and another of his nose art paintings. AWM: photographers unknown

 

The clincher came from Vic Watts's daughter, Robyn Jackson. Based on my idea that the same artist had painted several aircraft, Richard contacted her and she sent him a scan of a photo – previously unpublished – of her father working on the kangaroo nose art. Richard thought it showed Watts doing a touchup job on the artwork, which might have been made earlier by someone else. 

I immediately realised this was Watts actually making the original painting. The reason I was so certain was that it was unfinished: the final version has musical notes floating up from the bagpipes – and they were not yet there in this photo. On a closer look, the bag on the pipes also lacked detail at this stage. 

All we had to do was count the bomb symbols alongside the picture and we would have a date. 

Vic Watts painting kangaroo courtesy Robyn Jackson

Vic Watts painting the kangaroo, courtesy of Robyn Jackson. Photographer unknown

Unfortunately, real life is rarely that neat. As you can see, Vic Watts's arm gets in the way, as does one of the propeller blades of the aircraft's Number 2 engine.

Nevertheless the picture was 'gold dust', and Richard made a six-hour round trip to her farm to collect the original, in order to make a high-resolution scan. (Incidentally, I have no idea who took the photograph: if anyone does know, do please get in touch.) 

It was apparent that it showed certainly 12 operations, and because they were in rows of 12 there might be (out of sight) as many as 18. Either way that placed the likely commissioning crew as that of a Scotsman, Sergeant J D Ogilvie – unusually, a British pilot on an Australian squadron. 

Ogilvie's regular crew included three more Brits: wireless operator Sgt P W Moore, mid-upper gunner Sgt S F Hare, flight engineer Sgt John (Jack) "Mad Mac" Mckenzie, who came from Wales but had a Scottish father and a Welsh mother. The other three crew members were all Australians: navigator Sgt R J Garrett, bomb aimer F/O H G D Dedman and rear gunner Sgt J E Atherton.

Incidentally, although Vic Watts sang well and played several instruments, it seems he did not know much about the bagpipes. The Scots version he was presumably depicting usually has five pipes: the one you blow into, the "chanter" that you play the tune on, and three drones, as they are called, which sound constant notes – one much longer than the other two. His kangaroo has four drones of varying lengths. Artistic licence.

TARTAN

There remained one glaring issue that our photographs could not help with: what colours he had used. An educated guess could be made on the kangaroo, given the orangey red hues of the real animal and the sort of paints Watts would have had available.

Wellington boots in those days were any colour you wanted, as long as it was black. I have never been convinced from interpreting the greyscale of the original photos that he had painted them black, but in the absence of any evidence, I went with the obvious solution.

 

Screen Shot of some of my tartan colour tests

Some of my tartan colour tests

But then, crikey, the tartan on the bagpipes' bag cover. I ended up with some educated guesses based on various Ogilvie tartans, and experimented with converting these to greyscale images to see which most closely matched the originals – although anyone who has researched wartime images knows that interpreting colours is made tricky by variations in film, lens filters, processing techniques and developer filters.

I gave it my best shot. As PA474 was unveiled in the restoration hangar at Duxford, I was pleased to see that the 'official' version looked remarkably similar. Job done.

The wider search for information about the aircraft and its crews threw up errors in various official records and – to my surprise – logbooks in which the aircrew had written down incorrect serial numbers for aircraft they had been in, sometimes more than once. 

We also discovered why W5005's pilot at the date depicted in the bomb tally on PA474 (September 1943), 21-year-old William Edward Maxwell Bateman, was known by all as Jerry – and with that something of the troubled history of the pearl fishing industry in his home town, Broome in Western Australia. 

It had been a fascinating exercise that reminded us yet again of the enormous sacrifices made by these young men. 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingThe search for the Lancaster bagpipes kangaroo artist

Flight Artworks RAF Memorial Flight depictions unveiled

34283731135_b76a35a2a7_b

Colchester, 26 April 2017

Three recent commissions of mine have now been published in full colour in the RAF Memorial Flight Official Club Yearbook: a terrific read, by the way, and well worth getting hold of even if you are not a member of the club. 

They are all available as prints in various formats, sizes and prices through the Flight Artworks website and authorised print partners. 

As you can see above I put together a loose 'finger four' of Desert Air Force Spitfire Mk IX fighters from 92 Squadron over Tunisia, which forms the top of a double-page spread. In the foreground is EN152 QJ-3 – the scheme that the Battle of Britain Memorial Flight's MK356 is going to represent (even though it is a different mark). I wrote previously about the research that went into the colour scheme for that. 

NOSE ART

Another is my dive bombing scene featuring low-back, clipped-wing Supermarine Spitfire XVI TD240 when it was the aircraft of the Officer Commanding No 131 (Polish) Wing, Gp Capt Aleksander Gabszewicz in 1945. It carried his colourful boxing dog nose art. This is the scheme that the BBMF's XVI, TE311, is being repainted to represent. 

Kangaroo nose art Gary Eason after Vic WattsThere is more colourful nose art for BBMF Lancaster PA474 as it morphs into W5005, AR-L for Leader of 460 Squadron RAAF at the end of September 1943. 

This showed a kangaroo in Wellington boots playing bagpipes – a reflection of the tri-national Australian, Scottish and Welsh crew who commissioned it from squadron artist Vic Watts.

The story of how we pinned down the details of who created the original nose art, and when, and what the colours might have been (only black and white photos exist) bears telling separately in full. Look out for a future blog on the subject. 

PA474 is being repainted to depict W5005 on its port side although, following convention, it will retain its own serial number I understand. On starboard PA474 will be the 50 Squadron Lancaster LL922 / VN-T. I have now also depicted that reincarnation. 

COVER PICTURES

The latest piece out of the Flight Artworks studio is an air-to-air visualisation of the only extant Supermarine Swift F4, WK275. Its restored (but not airworthy) airframe currently resides alongside Avro Vulcan XH558, sadly no longer flying either. 

Swifts were not the most successful aircraft ever deployed by the RAF and not many were made but they had a certain style, I think you'll agree. A very different version of the picture will be appearing as a book cover later this year. 

Talking of covers, if you wondered who created the Sea Harrier artwork for the cover of the May issue of The Armourer magazine about the Falklands War – that would be me

[A version of this article, with a special discount offer, appeared in a newsletter to registered users of the Flight Artworks website]. 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingFlight Artworks RAF Memorial Flight depictions unveiled

Desert camouflage Spitfire EN152

Spitfire EN152 over Gulf of Tunis Gary Eason

Spitfire Mk IXc, EN152 / QJ-3 with No 92 (East India) Squadron

Colchester, 30 January 2017

Maybe it is the relative unfamiliarity but I think there is something undeniably cool about the desert camouflage the RAF and Allies used in their combat operations in North Africa and the Mediterranean during WWII. 

Dark earth and mid stone paintwork, scuffed by the sand and faded by the heat and dust, blends perfectly with the landscapes they were operating over. My latest picture highlights it by isolating the aircraft over water, but with complementary light on the horizon. 

The guys who had to fly, maintain and live alongside these aircraft in such inhospitable conditions might take a different view but to me, the grit of their endeavours as the battle ebbed and flowed across North Africa only adds to the drama.

You might have seen my picture on the Battle of Britain Memorial Flight (Official) page on Facebook.

My commission was to recreate a particular Spitfire: a Mk IXc, EN152 – QJ-3 as it was coded with No 92 (East India) Squadron in the Desert Air Force. This is the scheme that their IXe, MK356, is going to be repainted to represent – while retaining its very different broad chord rudder and cannon configuration. 

As so often I was working with a fuzzy, black-and-white photograph as the basis for my artwork. But it did mean I knew for sure what the aircraft looked like. Anyone familiar with the tropicalised "lantern jaw" Mk V Spitfires, with the hulking great Vokes dust filters under their chins, might be surprised to find that these Mk IX variants had nothing like that, just the short carburettor air intake tucked under the fuselage.

Their impact on the air warfare was inspirational though. Whereas the Allied pilots had found their mounts completely outclassed by the latest German Me 109 and Fw 190 fighters, they were now right back in the game. 

Having a photograph also meant educated deductions could be made about colours – but a red herring (or should I say, yellow one) had to be dealt with too. 

YELLOW

From what I can glean, 92 Squadron used either red or a sort of blue-grey colour for its identifying letters, QJ, depending on the flight of aircraft. In the photo they were obviously dark, so much so they are all but illegible. Probably red, then. The '3' on the other hand was clearly white.

In Tunisia in the spring of 1943 you might expect the airscrew spinner to have been red. But it very obviously is much darker than the grey shade of the known reds: those in the red, white and blue (and yellow) fuselage roundel and fin flash in the photograph. Almost certainly it was black – or more likely 'night'.

The only caveat was that the photo had no date but there is another photo of another 92 Squadron aircraft,  EN458 (QJ-10) captioned Bou Goubrine, Tunisia, spring 1943, which has the same colouration. 

The yellow herring: the standard C1-type RAF roundel these aircraft wore at this time had a yellow outer circle. The trouble was that in our fuzzy photo there was no sign of it. Had it been omitted for some reason?

In the end I reckoned a more likely explanation was the nature of the film and/or the filtering used in the camera or processing, making the yellow invisible. I soon found other photos of 92 Squadron aircraft in which the same thing had happened – including two photos of one particular aircraft, Squadron Leader Jefferson Wedgewood's Mk V, BR476, both taken in Libya in late 1942. In one of these there is almost no discernible yellow and in the other it is plain as day (albeit in monochrome obviously).

CAMOUFLAGE PATTERN

The overall desert camouflage scheme itself was not something I have had dealings with before. Having looked into the subject, it throws up the old familiar can of worms you get with almost anything about WWII aircraft. A reasonable assumption would be that EN152 had had its desert colours applied at the factory, in what was known as the A fighter scheme.

Yet that very obviously did not fit with what I could see in the photo, and it soon became apparent that various desert schemes were in use: not just the A scheme but with its colours reversed (that is, swapped over – not mirrored, as in the defunct B scheme). The key, as so often, was to have a photo of the aircraft in question. I had one, so I went with what I could see.

For now I am offering a solo portrait of EN152 as QJ-3, depicted over the Gulf of Tunis. It is available in the WWII Fighters gallery on my website, and through authorised print outlets. A bigger picture will follow in due course. 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingDesert camouflage Spitfire EN152

EXCLUSIVE: Two new paint schemes for BBMF Lancaster

Avro Lancaster PA474 Gary Eason _DSC2837

Colchester, 23 October 2016

EXCLUSIVE: I gather that the Battle of Britain Memorial Flight's Lancaster, PA474, will have not one but two new paint schemes following its winter service.

The left-hand side will be painted as 460 (RAAF) Squadron Lancaster W5005, coded AR-L "Leader", which had nose art of a kangaroo playing bagpipes, indicating the Australian and Scottish backgrounds of one of its crews. (Some sources say this was on JB607 AR-N, but I am reliably informed this is a case of mistaken identity).

The right side will carry the 50 Squadron code letters VN-T, representing the Lancaster flown by FO Douglas Millikin DFC – grandfather of the BBMF's current Officer Commanding, Squadron Leader Andy "Milli" Millikin, on 27 of his first tour of 30 operations.

PA474, the only Lancaster currently still flying on this side of the Atlantic, recently moved from its base at RAF Coningsby to the Aircraft Restoration Company's magnificent newly-opened Stephenson Hangar at Imperial War Museum, Duxford, for a major service, following which the repaint will also be carried out.

The decision on the new colours was confirmed this week and announced at the flight's end-of-season guest dinner by Sqn Ldr Millikin. His grandfather's crew's wireless operator, John Tait, was at the dinner. 

LONG SERVICE

The original Lancaster W5005 completed at least 44 operations while it was with 460 Squadron at RAF Binbrook in Lincolnshire, including four to Italy and four to Berlin, between 1943 and 1944. 

It was then transferred to 550 Squadron, where it kept its nose art but was recoded BQ-N.  It made another 50 trips and was well on its way to becoming one of the rare 'centurions' (more than 100 operations) when it was ditched in the Humber Estuary as it was returning to RAF North Killingholme from an attack on Kiel in August 1944. No-one was injured but the aircraft was lost. 

The Australian War Memorial's collection has a photo of its nose art as it was in August 1943. The chap in the pilot's seat is Flight Lieutenant Alexander Stuart MacWilliam DFC, who was the squadron's gunnery officer: he had no direct connection with the aircraft. 

Australian War Memorial collection PD image UK0396

 

 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on on Instagram @flight.artworks.

Continue ReadingEXCLUSIVE: Two new paint schemes for BBMF Lancaster

Here’s one I made earlier: silver Spitfire PR Mk XIX PS852 – or is it PS915?

Silver-Spitfire-in-BBMF-Guide-DSC_1935

The Flight Artworks 'silver Spitfire' as it appears in the BBMF Visitor Guide

Colchester, 29 October 2015

A complimentary copy of the new Official Visitor Guide to the Royal Air Force Battle of Britain Memorial Flight plopped on to my doormat this morning, to my delight.

The reason I have been sent a copy is that the whole of page 34 is given over to one of my pictures, as you can see at the top of this article. 

The editor, Clive Rowley, asked if I would be interested in having a shot at making it, to help them out of a hole. 

The visitor guide has, as you would expect, articles on all the flight's aircraft, including their history – and why they carry the colour schemes and squadron markings that they do, which change from time to time. In this case, Spitfire PR Mk XIX PS915, one of the relatively rare 225 photo reconnaissance Spitfires made.

Big Griffon

For the 2016 season it is going to be in the guise of another of the type, PS852, which was based in the early 1950s with 81 Squadron at Kai Tak, Hong Kong, where it was the usual mount of the record holding pilot Flt Lt Ted Powles. 

The trouble was, the guide had to go to press long before the BBMF Spitfire was going to be repainted – so no photograph of it would be available.

Hence the idea of having one of my Flight Artworks depicting the all-silver finish that PS852 bore from 1952 and PS915 will be getting.

We chose to have it almost head-on from a little above. This showed off the long Griffon engine cowling and the very smart red and white spinner on the five-bladed propeller, high above the South China Sea. It also allowed for a composition that could be used horizontal, vertical and square, as required. 

Free copy

The visitor guide is a beautifully put together, 42-page, 21cm (8in) square publication, with a glossy cover whose silky smoothness has to be felt to be believed. Well worth £3 of anyone's money I would say and perhaps you will pick one up if you go to visit the flight at RAF Coningsby in Lincolnshire. 

If you want to support the BBMF it is worth joining the official Club – whereupon I gather you will be sent a free copy of this guide as part of the membership pack (see comment below). 

If you would like to have a picture of just the Silver Spitfire they are available to order as high quality photographic posters and fine art prints in a variety of sizes – as well as greeting cards and other products – via the Flight Artworks website at www.flightartworks.com, and selected print partners. 

The picture is also available to publishers to license via Alamy or you can contact me direct.

 

Continue ReadingHere’s one I made earlier: silver Spitfire PR Mk XIX PS852 – or is it PS915?

A Mk I Spitfire and a PR Mk XIX silver Spitfire: my latest Flight Artworks

Up-against-it-Charles-Sydney-Spitfire-Gary-Eason-SM

"Up against it": F/Sgt Charles Sydney of 92 Squadron

Colchester, 15 September 2015

The house and office move mentioned in the Preface to my first book was completed relatively painlessly as these things go, although the unpacking and decluttering took longer than I had imagined.

I then spent a delightful few weeks in the US this summer, and have only recently got back into the groove. Consequently it has been a while since I have written anything, so this is by way of  a catch-up.

My first priority on return from holiday was a commission for the RAF Memorial Flight (BBMF). This came about because one of their Spitfires – PR Mk XIX no. PS915, is being repainted to represent another of its kind that achieved a certain amount of fame in the early 1950s.

Spitfire PS852 of 81 Squadron, RAF, was used by Flt Lt Ted Powles AFC to make unofficial daring spy flights over Chinese territory during the Korean War, pushing it to the extreme limit of its fuel range.

Silver Spitfire

He also took it to a world altitude record for piston engine aircraft of 51,550 ft (almost 16 kms high!) on 5 February 1952. When the cabin pressurisation malfunctioned he then made an extremely fast descent, although the actual speed he attained is disputed.

The Memorial Flight repaint is going to be in the colours PS852 wore when it was based at RAF Kai Tak, Hong Kong. The exact date of the original colour scheme is uncertain, but there is a blurry photo from 1954/55 that shows how it looked: overall 'silver', which was actually RAF Aluminium.

Spitfire-PS852-at-altitude-Gary-Eason-SMThe Memorial Flight Spitfire's repaint has not been done yet but they need pictures for their publicity materials – and that is where I came in, with my depiction of the original. Here's a small version (right): look out for it if you are visiting RAF Coningsby.

I love the way this picture has turned out. When you see it full size the Spitfire seems to leap out of the frame.

Incidentally, while researching this I came across a delightful book by Valerie Ann Penlington called Winged Dragon: the History of the Royal Hong Kong Auxiliary Air Force. It features that blurry photo of PS852 on page 100, as well as lots of colour ones of aircraft and pilots, and a string of flying anecdotes. There is an enthusiastic review of it on this website

Unsung hero

At the head of this article is my next project, produced for the man who maintains a memorial in south-west London to one of The Few – unsung hero Spitfire pilot Flt/Sgt Charles Sydney of 92 Squadron, who was killed in one of the many engagements between RAF Fighter Command and the Luftwaffe on 27 September 1940.

A ceremony is being held, along with many others this year, to mark the 75th anniversary. I was asked to depict his aircraft, Spitfire R6767, coded QJ-N, and here you see the result.

According to the squadron's operations record book in the National Archives, Sydney had already made one short sortie from Biggin Hill that morning, from 0710 to 0740. He was one of nine pilots ordered up again at about 0845. It is a bleak record: he is marked "Missing" and two of the others "Crashed".

At the time, the fighting on the 27th was regarded as having been very intense. The Prime Minister, Winston Churchill, was moved to send a message the following day to the Secretary of State for Air, Sir Archibald Sinclair, which read in part: “The scale and intensity of the fighting and the heavy losses of the enemy … make 27 September rank with 15 September and 15 August as the third great and victorious day of the Fighter Command during the course of the Battle of Britain."

Mailly-le-Camp

Understandably there has been a heavy focus recently on the Battle of Britain, with numerous magazine specials, TV programmes and social media comment. Indeed I am writing this on 'Battle of Britain Day' (15 September) and a flock of WWII fighters has just gone past within earshot of my office, part of the mass flypasts that began at Goodwood.

Next however I am going to be turning to a very different phase of World War II, featuring the memorable attack by RAF Bomber Command near the village of Mailly-le-Camp in the Aube area of north central France.

To set the context, if you do not know it: as part of the build-up to D-Day, 346 Lancaster bombers and 14 Mosquitoes were sent out on the night of 3/4 May to bomb the German military barracks near the village.

Communication difficulties forced a delay before they could bomb. It gave the defenders time to get organised. While circling the target under clear skies and a bright three quarters moon, and on the way back, the Lancasters fell prey to numerous German night fighters. A total of 42, almost 12% of the attacking force, were shot down: a loss of some 300 men.

'Milk run' (not)

Despite the heavy RAF losses that night the attack itself was very successful.

Mailly-le-Camp marked a turning point however. Until then there had been a perception that the long hauls to Germany and back were far more perilous operations than the softening up of enemy positions in France prior to D-Day, which sometimes were even characterised as "milk runs".

This extended to the official view of how many successfully completed operations a crew should have to make to complete a tour of duty. Ordinarily this was 30 but the shorter trips to France were being counted as only one third of an op – until several of them, and notably Mailly-le-Camp, showed just how deadly they could be. The policy was changed.

One thing is certain: anyone who was there would never forget it. But – spoiler alert: I will say no more at this stage about the picture I am making. Watch this space. 

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 TO BUY PRINTS  of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes. Publishers' enquiries are also welcome: many images are available already to license through the Alamy agency.

To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, and on Twitter @flightartworks.

 

Continue ReadingA Mk I Spitfire and a PR Mk XIX silver Spitfire: my latest Flight Artworks

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