Remembering those who never made it into battle

 

Fairey Battle enclosed Gary Eason _DSC7884

Fairey Battle in flight

Colchester, 23 August 2017

Two stories in one this time related to my latest picture (above), Fairey Battle Mk I K9472, WT-N of 35 Squadron – and in fact two pictures.

The most obvious story involves the aircraft itself, depicted in flight near RAF Carew Cheriton in Pembrokeshire.

I have shown the crew in a happier moment, but K9472 was departing for some air firing practice on 29 October 1939 when the engine failed shortly after take-off.

The handwritten notes on the Air Ministry accident report card say the young pilot, Geoffrey Arthur Cyril Rhind, turned downwind towards the aerodrome, lost height and flew into a "cliff face".

"Should have landed straight ahead – not attempt to turn back on failing engine," it adds.

The Battle crashed and caught fire near to the tidal mill on the bank of Carew River, by Carew Castle.

All three on board were killed: Rhind, the pilot, plus his two crew: Bernard Connor and Ewart Wynne Looker. My picture was commissioned by Ewart Looker's brother, who has generously donated a print to the museum at Carew Cheriton Control Tower: look out for it if you are visiting.

The version of this picture that I made for him depicts the rear cockpit open and his brother manning the .303 Vickers K machine gun, which swivelled up into position from its stowed space in the fuselage.

OBSOLETE

It was interesting to research the aircraft. I had paid barely a passing glance to the restored one in the RAF Museum in London – which, I know now, had been recovered from a crash site in Iceland.

Fairey Aviation Company's design probably seemed like a good one when it was drawn up in the mid-1930s, with two little bomb bays in each wing, a .303 machine gun (just one) in the starboard wing and provision for a gunner with a similar size weapon at the back. The RAF ordered more than 2,400 of them, with I believe some 2,100 being delivered.

The heat and rapid pace of war however showed the Battle to be vulnerable: overloaded, underpowered and lacking defensive armament.

This has tended to make it a prime candidate for lists of "worst aircraft of WWII", but I think there is merit in the argument that its use as a light bomber in daylight and often unescorted doomed it to fail: no aircraft would have fared better.

During the Battle of France in 1940 Battles were deployed on low-level attacks against German troops and were shot to bits by ground fire and by Messerschmitt Bf 109s – much as the Germans' apparently successful blitzkreig dive bomber, the Ju-87 Stuka, was by the RAF's fighters when it crossed the English Channel.

So arguably it was not the aircraft that was wrong but the tactics.

UNRELIABLE

It is worth remembering that thousands of aircrew died during WWII not as a direct result of enemy action but in bad weather or in training or other non-operational flying like this.

The obvious perils of inexperience were compounded by the pressing need to get aircraft and aircrew into service as rapidly as possible, once the threat of war turned to actual conflict.

According to the RAF Museum, courses were shortened and capacity increased at flying training schools – except that equipment was in short supply, as were qualified flying instructors.

It was not until 1943 that the RAF really caught up with itself in terms of training enough aircrew.

Our pilot in this case had done his basic training in Perth then at No.10 Flying Training School at Ternhill, Shropshire, and had held his 'wings' for five months. The Air Ministry Form 1180 reporting the accident records that he had flown 204 hours solo, 37 on this type of aircraft.

Whatever its shortcomings as a fighting machine the Battle reportedly was straightforward to fly; a good training platform. This particular one, K9472, had been in service for nine months.

It also used the Rolls-Royce Merlin engine, a Merlin II in this case. Merlin variants would become legendary in Hurricanes, Spitfires, Lancasters and Mosquitos, but the early ones had reliability problems, as our three young men on the training flight found to their cost.

Had they not been killed that October and had gone on to operational squadrons in Bomber Command, losses there were so high they would have had about a one-in-two chance of surviving the war.

MARKINGS

When it came to making my picture, I had to plump for one of at least four possible camouflage schemes, if I understand it correctly.

 

Fairey Battle camo schemes

A scheme (left) and B scheme

 

The Battles carried what was known as the temperate land scheme of dark earth and dark green, so that much is certain. And this was drawn to a pattern – but the pattern had two versions, A and B, which mirrored each other (right).

In addition, each of those could have the colours swapped. So that's the basic four possibilities. But from the photos I have seen, there seemed also to be variants within those patterns.

In the absence of actual photographs of the specific aircraft it boiled down to artistic licence.

I spent a good while studying the various markings that were applied to Battles in terms of wing and fuselage roundels, fin flash (or at this time, the absence of one), serial number (K9472) in black, most probably duplicated on fuselage and rudder, and squadron code letters in grey – WT-N in this case, but following the practice of having the individual letter towards the front and the squadron pair of letters (WT) aft of the roundel, so N-WT in my port side composition.

Not only did policy on all of these evolve as the RAF approached and went into actual combat, practice varied from squadron to squadron and, on any given squadron, between aircraft depending on newness, state of repair and repainting and so on.

I have not seen a single photograph of any 35 Squadron aircraft of this type, so I just gave it my best shot. If anyone has any photos, by the way, I would be delighted to get sight of them.

Whatever else you might say about the Fairey Battle's performance I think it looked good from any angle and makes for a fine portrait of an early WWII RAF fighting machine.

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingRemembering those who never made it into battle

Flight Artworks RAF Memorial Flight depictions unveiled

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Colchester, 26 April 2017

Three recent commissions of mine have now been published in full colour in the RAF Memorial Flight Official Club Yearbook: a terrific read, by the way, and well worth getting hold of even if you are not a member of the club. 

They are all available as prints in various formats, sizes and prices through the Flight Artworks website and authorised print partners. 

As you can see above I put together a loose 'finger four' of Desert Air Force Spitfire Mk IX fighters from 92 Squadron over Tunisia, which forms the top of a double-page spread. In the foreground is EN152 QJ-3 – the scheme that the Battle of Britain Memorial Flight's MK356 is going to represent (even though it is a different mark). I wrote previously about the research that went into the colour scheme for that. 

NOSE ART

Another is my dive bombing scene featuring low-back, clipped-wing Supermarine Spitfire XVI TD240 when it was the aircraft of the Officer Commanding No 131 (Polish) Wing, Gp Capt Aleksander Gabszewicz in 1945. It carried his colourful boxing dog nose art. This is the scheme that the BBMF's XVI, TE311, is being repainted to represent. 

Kangaroo nose art Gary Eason after Vic WattsThere is more colourful nose art for BBMF Lancaster PA474 as it morphs into W5005, AR-L for Leader of 460 Squadron RAAF at the end of September 1943. 

This showed a kangaroo in Wellington boots playing bagpipes – a reflection of the tri-national Australian, Scottish and Welsh crew who commissioned it from squadron artist Vic Watts.

The story of how we pinned down the details of who created the original nose art, and when, and what the colours might have been (only black and white photos exist) bears telling separately in full. Look out for a future blog on the subject. 

PA474 is being repainted to depict W5005 on its port side although, following convention, it will retain its own serial number I understand. On starboard PA474 will be the 50 Squadron Lancaster LL922 / VN-T. I have now also depicted that reincarnation. 

COVER PICTURES

The latest piece out of the Flight Artworks studio is an air-to-air visualisation of the only extant Supermarine Swift F4, WK275. Its restored (but not airworthy) airframe currently resides alongside Avro Vulcan XH558, sadly no longer flying either. 

Swifts were not the most successful aircraft ever deployed by the RAF and not many were made but they had a certain style, I think you'll agree. A very different version of the picture will be appearing as a book cover later this year. 

Talking of covers, if you wondered who created the Sea Harrier artwork for the cover of the May issue of The Armourer magazine about the Falklands War – that would be me

[A version of this article, with a special discount offer, appeared in a newsletter to registered users of the Flight Artworks website]. 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingFlight Artworks RAF Memorial Flight depictions unveiled

Polish ‘boxing bulldog’ Spitfire TD240

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RAF Spitfire Mk XVI TD240 / SZ-G of No 131 (Polish) Wing © Gary Eason 2017

Colchester, 4 January 2017

Let's get the new year off to a flying start with this new depiction of what is going to be the new paint scheme for the RAF's Battle of Britain Memorial Flight Spitfire TE311.

When eventually their Mk XVI emerges from its repaint it will be sporting the colours of TD240 when it was the aircraft usually flown by the Officer Commanding No 131 (Polish) Wing, Group Captain Aleksander Gabszewicz VM KW DSO DFC, during the last weeks of the Second World War and into the summer of 1945.

It was common practice among RAF officers of his rank to have their own initials on 'their' aircraft, but his was coded SZ-G as if it were still part of his old unit, 316 Squadron.

It did have his group captain's pennant on the side of the cockpit, and the red and white Polish checkerboard emblem (szachownica lotnicza), with the word POLAND beneath it, on the nose.

But far and away its most striking feature was the colourful boxing bulldog artwork alongside these, the last and largest of similar artworks he had on his various aircraft.

DISNEY

I had been under the impression until I researched this that the "boxing bulldog" – wearing Polish national team colours and a flying helmet – had been created by a member of Gabszewicz's ground crew, Sgt Wojciech Milewski, who was an accomplished boxer.

But the story has been muddied by the existence of another, celebrated and very similar artwork by none other than Walt Disney, of the legendary cartoon studios.

It seems Disney created a boxing bulldog in an almost identical pose, and set up a team that made numerous other insignias, as a contribution to the US war effort – in this case as the emblem for the 62nd Fighter Squadron, 56th Fighter Group, as this Luke Air Force Base article shows.

Gabszewicz flew with the 56th on secondment in late 1943/early 1944 when it was suffering from a shortage of pilots.

I cannot say at this stage who first came up with the design. I am sure the BBMF will have the full story in due course.

But another version of the nose art was adopted by No. 135 (Fighter) Squadron of the Royal Canadian Air Force as its emblem.

PREVIOUSLY

I believe TD240 was next flown by Squadron Leader Boleslaw Kaczmarek with of RAF No. 302 (Polish) Squadron, until August 1945, whereupon it was re-coded as WX-V.

Those with longer memories might recall having seen a version of the scheme before on another Spitfire, MH434 operated by the Old Flying Machine Company. It carried a smaller artwork and SZ-G codes for just over a year between 1997 and 1998.

Now the full size, final iteration will be appearing on the same type of airframe as Gabszewicz's original: the Memorial Flight's clipped wing LF Mk XVIe (MH434 is an elliptical wing Mk IX).

I am portraying TD240 as it was in 1945 in this air-to-air depiction; in keeping with their usual practice, I believe TE311 will continue to bear its own serial number. I am sure many other images will follow once the real thing is unveiled later in 2017.

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingPolish ‘boxing bulldog’ Spitfire TD240

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