No, not *that* G-for-George

Dambusters enemy coast ahead v2 Gary Eason

Dambusters “enemy coast ahead” © Gary Eason

Colchester, 12 April 2021

Recently I noticed some confusion (or perhaps wishful thinking) about the code letters applied to the fuselages of RAF aircraft during WWII.

I had posted on Facebook one of my pictures of a 617 “Dambusters” Squadron Lancaster whose code letters were AJ-G. In the caption I referred to it as  “G for George”. 

Somebody commented, “G for George was flown by an Australian crew and is now in the Canberra War Museum!”

This suggests that only one Lancaster was assigned the code letter “G”. In fact, every squadron with more than half a dozen aircraft on its books almost certainly had a “G”, commonly referred to in the phonetic alphabet as “G for George”.

HOW IT WORKED

The system was set out in Air Ministry Order A.154, Identification Markings on Aircraft of Operational Units and Marking of Unit Equipment, 1939:

(ii)

  1. Two letters to indicate number of squadron. Either forward or aft of the national marking [roundel] on both sides of the fuselage.
  2. One letter to indicate individual aircraft. On the other side of the aircraft national marking on both sides of the fuselage.

The first two letters denoted the unit: “AJ” being allocated to 617 Squadron. “AR” was 460 Squadron, for example, “VN” was 50 Squadron …. The method (or madness) used to assign letters to numbers is outside the scope of this piece.

The third letter, usually separated from the first two by the roundel as the order sets out, denoted an aircraft assigned to that squadron.

BACK TO THE MUSEUM

Each of these aircraft also had its own – unique – serial number. So in the case of my Dambusters picture, AJ-G was ED932. Flying in close formation with it that night in May 1943 were ED925 AJ-M and ED909 AJ-P.

The Lancaster that is in the museum in Canberra, Australia, is W4783 AR-G of 460 Squadron RAAF. It flew a remarkable 90 operations over occupied Europe between 1942 and 1944 and is justly famous, but it didn’t go on the dams raid.

I say 90 ops is remarkable because most of the 7,377 Lancasters that were produced did not survive even 20. As individual aircraft failed to return from an operation, their replacement would more than likely be assigned the same letter. So not only were there many Lancasters nicknamed G for George but it’s likely that even each squadron might have had more than one.

I’m sorry if that disappoints anyone who had been thinking that their father’s/uncle’s/grandad’s Lanc is the one in the museum because he had mentioned flying in “G for George”.

Lancaster PH-D in flight Gary Eason sm

12 Squadron Lancaster PH-D in flight © Gary Eason

Like so many things, Air Ministry orders were sometimes honoured in the breach, for whatever reason. I’ve just been working on a picture of a Lancaster of 12 Squadron (code letters PH) which we think was JB406 – which was one of the squadron’s Lancasters coded “D”.

I’m sure I must have mentioned this before but RAF squadrons’ operations record books, which these days are held in the National Archives in Kew (all being well), were not written for the convenience of post-war researchers. It is unusual to find an entry that says such-and-such crew went in Lancaster serial number whatever, which at the time was coded this-or-that letter.

Happily, however, 12 Squadron did have that habit. So we can read that on the night of 1/2  October 1943, Flight Sergeant KB Smitheringale and his crew flew in Lancaster D … serial number DV161. Next night the same aircraft was taken up by Warrant Officer FR Joy and his crew – which included my client’s great uncle.

When W/O Joy and crew next went on an operation to Germany, five days later, they were also flying D … unambiguously shown as serial number JB406. Same aircraft the following night – when JB406 was shot down and did not return. 

DV161 was not listed as being flown by anyone else in the meantime so I don’t know what became of it and why its letter D was reassigned.

AND ANOTHER THING

Anyway my task was to depict this Lancaster, PH-D. We had a photo looking back from the nose of the bomber at a very oblique angle, but clearly showing the port side fuselage roundel followed by the letters PH then a space then D. There is a much more side-on view of another 12 Squadron aircraft, PH-H, that was painted the same way.

In that case where had they put the serial number? While the squadron codes were painted on at the unit level, the serial number was usually applied during manufacture and would typically be in the area where the space was in our photo between the PH and the D. I think that would have looked quite neat, to put “PHJB406D” – but there was no sign of it. And on the better quality (but still blurry) photo, of PH-H, it seemed as though the number had been shifted to above the tailplane.

So that’s what I ended up doing. Plausible; client happy; job done. Later in the war, all the 12 Squadron Lancs seem to have been standardised on the usual letter-letter-roundel-letter format. Why these had been done differently I don’t know. If anyone with a better knowledge of 12 Squadron’s markings would care to chip in, I’d be grateful.

 

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To buy prints of any of my works please visit www.flightartworks.com.

As well as commercial assignments I also do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingNo, not *that* G-for-George

Special 460 Squadron coins flown in BBMF Lancaster

 

Coin presentation Gary Eason _DSC8914

RAF Coningsby, 30 October 2017

Squadron Leader Andy "Milli" Millikin, Officer Commanding the RAF Memorial Flight presenting a special commemorative coin to Australian visitor Richard Munro of the 460 Squadron Veterans and Friends Group, at RAF Coningsby.

460 Squadron commemorative coin and certificateThe coin is one of only 12 that were flown on board the memorial flight's Lancaster, PA474, on its return to Coningsby from Duxford on 4 July 2017 in its new colour scheme as AR-L for Leader of 460 Squadron RAAF.

Richard was a key member of the small team that researched the details of the original aircraft and its distinctive nose art of a kangaroo in Wellington boots playing bagpipes.

In his association newsletters, he has described Milli's decision to opt for the AR-L scheme on the Lancaster's port side as honouring all who served in 460 Squadron during World War Two. He aims to organise a visit to RAF Coningsby for veterans and relatives. 

Having the coins flown in PA474 was the idea of another member of the team, Darryl Fell of the current 460 Squadron RAAF, and was arranged by BBMF historian and publications editor (and former OC), retired Squadron Leader Clive Rowley MBE. 

I am proud to say that, having also helped to research the colour scheme, I too have one of them – which is currently being mounted and framed with its certificate, signed by the Lancaster skipper, Flt Lt Tim Dunlop, to go on my office wall.

 

 

Continue ReadingSpecial 460 Squadron coins flown in BBMF Lancaster

Mid-air collision between Lancaster bombers

 

Lancaster ND968-G mid-air collision Gary Eason _DSC9312

"O for Oboe takes a hit"

 

Colchester, 12 October 2017

The airscrews on an Avro Lancaster's engines are about 13ft (4m) across. Spinning at, say, 2,700 rpm, they constitute an awesome power saw.

Apply it to the thin alloy skin of another Lancaster and . . . it makes me cringe even to think about it. The noise alone would be terrifying.

But that is what happened at 14,000ft over Alsace when Lancaster ND968/G, AR-O "Oboe" of 460 Squadron RAAF was hit by another Lancaster, thought to have been NN766 of 103 Squadron.

NN766 crashed in a snowstorm and all seven crew were killed.

Incredibly, ND968 made it back to England, was repaired and returned to service, and indeed saw out the war.

An account of the collision appears in the RAF Memorial Flight Club's autumn journal and I was asked to create a Flight Artworks depiction of the event to span the opening two pages.

You can see what it looks like here; the proper version of the picture itself, with print options and prices, is on the Flight Artworks website here.  

AILERONS JAMMED

Lancaster O for Oboe WIP detail screenshots Gary Eason

The account was written by the late Dave Fellowes, Legion d'Honneur, who was the rear gunner on "O for Oboe", prior to his death in June at the age of 93.   

He described how – along with those in other bombers, as it turned out – his crew had chosen to climb above their briefed altitude to escape thick cloud and bad turbulence on their way to attack Munich on 7 January 1945.

They had just emerged from the cloud when there was a rending crash and the Lanc lurched violently leftwards into a downward spin.

It had been ripped apart along the trailing edge of the starboard wing, jamming the ailerons, and through the middle – obliterating the H2S radar and its dome and almost severing the whole tail section with Dave in it, which started swaying alarmingly.

Remarkably it held together as they jettisoned their bomb load, returned to England and made a long, flat, flapless approach to the emergency field at RAF Manston in Kent.

Years later Dave established that the other Lancaster was most probably NN766, PM-R of 103 Squadron, which crashed that night about 23 miles away from the estimated collision point.

TECHNICAL CHALLENGES

Sketching out my intended composition was something I was able to do quite quickly. I already had a suitable photograph looking down onto thick clouds which I thought would perfectly frame the scene.

I also already had a Lancaster photograph at just the sort of angle I wanted, from the starboard rear quarter and a little below. What took the time was figuring out how to take this splendid machine and rip it open.

I worked on the ailerons and flaps first, creating just enough of the internal mechanism in Photoshop to enable it to be seen through torn fabric and metal, then using what is known as the warp tool to twist it out of alignment, and using the built-in brushes to rip the edges of the metal. While awful to contemplate in real life, this was rather enjoyable to do on screen.

Screen Shot 2017-10-13 at 17.21.37

By far the bigger problem was how to portray the interior of the Lancaster fuselage from an angle that normally you cannot see because it is behind the outer skin and the radome suspended below the mid-upper gun turret.

The last time I visited the BBMF at RAF Coningsby I had taken a couple of photographs of the interior of their Lancaster, PA474. So I knew what it looked like – but from the wrong angle to use in my compilation.

Happily I was able to get their publications editor, Clive Rowley, who had commissioned the picture, to go and stick his camera in from the rear crew door to give me a better idea of the required perspective.

Once I had it clearer in my mind's eye, I then basically built the various pieces of equipment either by adapting the pictures to hand or simply creating elements from scratch – such as the outer and inner parts of the H2S radome, the ribs that frame the aircraft, and the pipework, wires, ammo boxes and runs.

NIGHT

There was also the lower portion of the mid-upper turret to be glimpsed. Its occupant that night was Sgt Ken De La Mare. After exclaiming that the floor below him had gone and the starboard side of the fuselage was missing for about 10 feet, Ken was helped out by the wireless operator, Flt Sgt J Wilson, and moved forward to the "relative safety" of the flight deck.

During this whole process I realised that the damage must have gone through the main joint between the centre and rear sections of the aircraft, which forms a ring just aft of the mid-upper turret. No wonder the tail was swaying.

The "G" suffix that ND968's serial number at the time was a security symbol: it carried the secret AGLT radar equipment on the rear turret, codenamed "Village Inn".

From my point of view this presented essentially another, smaller radome and mounting brackets, and I simply painted these on between and below the spent ammunition chutes on the FN-121 turret with its four Browning .303 machine guns. I made a point of checking that "Oboe" did not have the later, Rose turret with its two heavier weapons.

And then – it was night time. With these wartime operation pictures there just is no satisfactorily realistic way to portray a black aircraft at night so that you can see anything.

Before starting work I had checked that my Artistic Licence permit was still current so, under the pretext that there was quite a lot of moonlight, I splashed light onto the airframe in such a way as to highlight key aspects of the outline.

My rationale for being able to see the interior at all, having done so much work to create it, was that the moonbeams were coming in through the dinghy hatches and gun turret on the top of the fuselage.

I was pleased with the picture, but just to add a sense of drama and dynamism I scattered some debris around, coming off the wing, torn fuselage and smashed H2S. In reality this would probably already have dispersed, but we liked the effect so it stayed in.

And there you have it: a portrayal of a subject I had had in mind for some time, since reading about the fear that stalked bomber crews (one of many) of the risk of collisions in a loose formation of heavy aircraft flying at night, often in reduced visibility and poor weather, without proximity warning radars.  

I hope it stands as a tribute to their bravery and to the sacrifice of the seven men who did not come back from this particular encounter.

UPDATE: 21 November 2017

I was contacted overnight by former ice pilot "Doc" Knight in Calgary, Western Canada, who wrote: 

"I was reading your notes on the mid-air of these Lancs on the night of 7-8 January 1945. My wife's great uncle, Donald Campbell from Kelowna, was one of the air gunners in NN766, now buried in a collective grave with the other six of his crew. He had been briefly in the RCN in 1940, released on a medical after only four months in. Then, through the summer of 1943, he was working in Vancouver at Boeing and serving in the Seaforth Highlanders (Reserve)…I think he had to lie to get into the RCAF that autumn (re: previous medical discharge).
 
"The fellows are not forgotten…Meyer Greenstein was the Bomb Aimer; his sister, Rose Greebler, passed away in Toronto in 2014, made sure that a lasting scholarship in her brother's name carries on at University College, at U of Toronto.
 
"The Nav was Ralph James Lougheed of Winnipeg; his brother Lawrence became a doctor – as their father was – and passed away this spring out in British Columbia.
 
"An article was written this spring in a Wolfe Island, Ontario paper, remembering Millard Horne, the wireless air gunner in NN766; he left behind a wife, Betty Huff of Prescott, Ontario.
 
"I'm still hunting for info on the others, particularly the RAF member of the crew, #2220467 Sgt. R.P. Candy."
 
If anyone has any more info I will pass it on. – GE

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To buy prints of any of my works please visit www.flightartworks.com.

As well as commercial assignments I also do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingMid-air collision between Lancaster bombers

Photographs from Duxford’s 2017 autumn Airshow

Colchester, 7 October 2017

I know Duxford Airshow was a couple of weekends ago but I then went almost immediately up to Scotland for a short holiday with my wife – ok and some landscape photography – so I am now catching up with the processing.

The billed highlight of this year's Battle of Britain Airshow, to give it its proper title, was the bringing together of lots of restored Hawker Hurricanes of various types.

Six Hurricanes Duxford Gary Eason _DSC1981How fantastic to see (and hear) half a dozen of them in the sky at the same time, recalling Duxford's heyday. 

There were several other highlights for me. By a string of circumstances,  including the temporary grounding of the BBMF's Merlin-engined fleet, this was the first, rather belated chance that I had had to see Lancaster PA474 in its new liveries, in particular, the port side scheme of AR-L with its colourful nose art of a kangaroo playing bagpipes. 

Regular readers will know I was first with the news of this proposed scheme, almost a year ago now; commissioned to depict the original Lancaster that wore it, W5005 of 460 Squadron, (now a poster for Memorial Flight Club members); and involved with the search for the guy who had painted it

So having it down my camera lens was a real treat, spoilt only by the wretched bright overcast backlighting that can plague Duxford as an airshow venue. 

"IMPROBABLY ELEGANT"

I also met the author of WK275, being launched at the show, Guy Ellis, as well as the owner of this unique Supermarine Swift F.4 variant, Tim Wood. Guy contacted me earlier this year to ask if I could make the cover artwork. I hope the book does well: Grub Street Publishing have produced it beautifully.

And another was also finally getting to see the Shuttleworth Collection's splendid Westland Lysander in flight. I had seen it before in the hangars at Old Warden Park in Bedfordshire, but not flying. 

Westland Lysander  Gary Eason _DSC2984It is such an extraordinary-looking creation, improbably elegant in flight, and with a terrific history. I had taken a professional interest this year because a depiction of a Lysander on a clandestine operation in July 1944 has proved to be one of my more popular pictures (details here about prints).  

One of the more striking aspects was being reminded just how big it is, for a single-engined airframe, when seen alongside the WW2 fighters on the flight line.  

But if there was one aircraft performing at Duxford that I could have watched all day, it was the beautiful bare-metal Curtiss-Wright P-40C Warhawk of The Fighter Collection (TFC). 

Photography is all about light and nothing revelled in the shifting blue-sky-and-clouds backdrop so admirably as that polished alloy skin. 

I made up the slideshow (above) from a series of frames just as I shot them, not yet cropped for publication. Sigma 150-600mm f5-6.3 DG OS HSM / S on Nikon D750, ISO 100, f10, 1/320 typically. 

It was lovely again to revisit the constantly-interesting display by (I believe) TFC's chief pilot, Pete Kynsey, as the raw images resolved themselves in Lightroom. 

Glorious. 

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To buy prints of any of my works please visit www.flightartworks.com.

I also do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingPhotographs from Duxford’s 2017 autumn Airshow

WWII aircrew: heroism at such a young age

 

Lancaster_KB799_under_fire © Gary_Eason

"Lancaster KB799 under fire"

Colchester, 27 July 2017

Listening to and reading about events in the air in the Second World War, I never cease to be amazed by the youth of most of those involved. There is an example in one of my latest commissions, Lancaster KB799 Under Fire (above).

Usually, when people ask me to make a picture for them, we discuss some ideas and I start with a rough 'sketch' of a proposed composition.

In this case however, the sketch was provided by the client – because it had been made by the man whose aircraft I was being asked to depict, 419 Squadron's VR-W – known as "The Moose".

That's a spoiler, then: you now know that bomb aimer Norman V. "Norm" Hoas obviously survived his wartime service as a Flying Officer in the Royal Canadian Air Force Squadron and the loss of his Lancaster in January 1945, after which he was interned as a prisoner of war in Stalag XIII-B and in Stalag VII-A, Germany's largest prisoner-of-war camp, ironically near the town of Moosburg in southern Bavaria.

Here's his sketch, entitled Final Run (used with kind permission of the family):

Final Run by Norm Hoas courtesy of his family

Final Run by Norm Hoas: courtesy of his family

He also made a handwritten book about the events with maps and photographs – including scowling "mugshots" of himself taken by his German captors, on which he wrote: "My 'record' filched from the files at Moosburg" after the camp was liberated when a US tank drove through the gates. 

The Moose, an Avro Lancaster B.X, was the one-hundredth airframe of a batch of 300 built by Victory Aircraft at their plant in Malton, Ontario, and as a result became a bit of a media star as it was rolled out of the factory doors, with its Merlin 38 engines and paddle-bladed airscrews.

It was flown across the Atlantic, entering 419 Squadron's use in 1944 at RAF Middleton St George in the North East of England – now Durham Tees Valley Airport.

The Lancaster was formally named by Marguerite Ross, wife of Air Commodore Arthur Dwight Ross. It had distinctive nose art of a moose's head on either side of the fuselage below the cockpit. 

DETAILS

Norm had drawn it with a long pitot static mount, the only thing in his sketch I had good reason to doubt because a photograph of the aircraft showed it with the more compact, later style.

Usefully, from my point of view – because it was not in the photo – he also depicted the Standard Beam Approach aerial on the rear port fuselage. If you are not familiar with this, it was a development of the pre-war German Lorenz system, designed to guide aircraft safely to a runway in the dark and/or in poor weather.

Norm had the late-war, more bulbous nose blister to look through while lining up his bombsight. It had Z-gear fitted (the "spectacles" in the perspex, part of the IFF system).

There was an FN-50 mid-upper gun turret and not the Martin turret you might expect on a B.X Lancaster; and an FN20 rear turret with its four .303 Browning machine guns.

CONCENTRATED FLAK

Norm was part of a crew skippered by Norman Roger Vatne from Vancouver, British Columbia (who had been born in Minnesota USA). With their training completed at No. 22 Operational Training Unit and No. 1664 Conversion Unit, the crew were posted to 419, arriving in North Yorkshire in mid-1944. 

Let's jump forward to the operation I was concerned with. At 6.47pm on the evening of 14 January 1945 they set off, with 12 other aircraft from their squadron, to bomb the German synthetic oil factories at Merseburg, 60 miles south-east of Berlin, near Leipzig.

Over the target they were hit by concentrated anti-aircraft "flak". One burst punctured the starboard wing fuel tanks and fuel lines and started a fire.

Flying Officer Vatne put his aircraft into a series of dives to try to extinguish the spreading flames, and headed for the relative safety of Allied lines to the west. This is the point I have depicted.

DITCHING HATCH

The effort proved futile, however, and Vatne ordered his crew to bail out. At this point, the Lancaster was still at about 12,000ft (3,660m).

As he worked to hold the burning bomber steady the pilot had jettisoned the top hatch, above his head, ready to go himself.

As an aside, RAF training held that the Lancaster's three top hatches – of which this was the most forward – were intended to be used only if the aircraft were "ditched" into water. They explicitly were not supposed to be used as parachute exits.

For one thing they were too small. The considerable difficulty of trying to get out of them while wearing a parachute pack is illustrated in another picture of mine, showing Wireless Operator Bill Viollet's struggle to escape Lancaster LL743 after the attack on Mailly-le-Camp.

KB799's crew, descending under their parachutes, saw their Lancaster blow up in mid-air.

They discovered a couple of weeks later, after becoming prisoners of war, that their skipper had still been in it. 

KB799 was one of two Lancasters from this unit that failed to return from this operation. Noting its loss, 419 Squadron's operations record book says, "This was F/O Vatne's 31st sortie and would normally have been the last trip of his tour." He was 21. 

You might raise an eyebrow at that, because a normal tour for British and Commonwealth bomber crews was 30 'ops'. 

Norm Hoas, in his recollections, wrote: "Incidentally, we had completed our 'tour of operations' (30 trips). The 31st was only because there was a shortage of experienced crews." 

Compiled with information provided by the Hoas family. Further reading can be found on the 419 Squadron website.

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingWWII aircrew: heroism at such a young age

The search for the Lancaster bagpipes kangaroo artist

 

PA474 photo and W5005 artwork

Left: PA474 this week (Photo: Clive Rowley). Right: detail from my depiction of W5005 in September 1943

Colchester, 30 June 2017

The Battle of Britain Memorial Flight's much-loved Avro Lancaster, PA474, is back in the air after its long layoff for major maintenance and a repaint – which features a new livery and some striking nose art. 

My involvement in this story began last autumn with an invitation to create one of my Flight Artworks featuring the new paint scheme.

The BBMF needed publicity materials featuring pictures of their new-look aircraft, before the aircraft themselves had been repainted. This year two of their Spitfires were also getting a makeover – but those are separate stories.

In the Lancaster's case, the Flight's commanding officer, Squadron Leader Andy "Milli" Millikin, had decided the aircraft would have not one but two new identities.

Its port side would represent 460 (RAAF) Squadron Lancaster W5005 when it was coded AR-L and named "Leader". On starboard it would be VN-T of 50 Squadron, which Milli's grandfather, F/O Douglas Millikin, flew on most of his first tour of operations in WWII.

My brief however was to depict W5005 in 1943 – which had nose art of a red kangaroo in Wellington boots playing some bagpipes, supposedly indicating the origins of one of its crews: Australian, Welsh and Scottish.

I subsequently learnt that the 460 Squadron Veterans and Friends Group had been sounded out on possible aircraft as long ago as January 2016. They were delighted that their squadron was going to be honoured in this way.

Over the winter I found myself in an ad hoc project team that included the BBMF's indefatigable historian and publications editor, Sqdn Ldr Clive Rowley MBE (ret'd); the equally tireless Richard Munro of the 460 Veterans and Friends; and Flt Sgt Daryll Fell of the newly reformed 460 Squadron, now a Royal Australian Air Force intelligence unit.

BOMB TALLY

Clive had determined already through his researches that the Lancaster described in various sources as being the one that had carried this nose art, JB607, could not have done so. The tally of bombs painted alongside the kangaroo in various surviving photographs showed its aircraft had completed at least 30 operations – and JB607 had been shot down after only nine.

The 30 ops did match W5005's record – sort of. Painstaking reading through 460 Squadron's operational records books had thrown up a problem, however, until Clive realised how the three rows of yellow bomb symbols must have been painted: middle row first, then the third row (with ice cream cones signifying trips to Italy), then the partially completed top row, with red bombs denoting attacks on Berlin. 

One thing I was keen to know from the outset was who had painted the original nose art, which is of a good quality as these things go. As it turned out, this would prove to be a key piece of the jigsaw in identifying which crew had been flying W5005 when the kangaroo was painted – and, therefore, had probably 'commissioned' it.

Zooming in on a picture in the Australian War Memorial (AWM) archive suggested that, unusually, the work had been initialled: it looked to me like "F.W." but it was not clear on the low-resolution version available at the time. Rummaging around in aircrew and groundcrew records was not turning up any name that would definitely fit that.

CLINCHER 

Richard Munro had mentioned a newsletter article he had written in June 2009 about a 460 Squadron veteran who had made nose art and painted the bomb symbols recording aircraft operations. This was Fl Lt Thomas Victor ("Vic") Watts DFC & Bar. Richard contacted his daughter on the off-chance that he might have left a portfolio of some sort.

We agreed the initials might perhaps be "T.W." (Thomas Watts). Searching for that name in the AWM image collection I found a photo of Watts himself at work on another Lancaster.

Then the penny dropped. What if those indistinct initials were "V.W." ("Vic" Watts)? This picture on the left, which was not signed, showed Watts at work, according to the caption in the AWM archive. I reckoned the same artist might well have painted the nose art on the right – which was signed. 

 

AWM: photographers unknown

Vic Watts at work (left) and another of his nose art paintings. AWM: photographers unknown

 

The clincher came from Vic Watts's daughter, Robyn Jackson. Based on my idea that the same artist had painted several aircraft, Richard contacted her and she sent him a scan of a photo – previously unpublished – of her father working on the kangaroo nose art. Richard thought it showed Watts doing a touchup job on the artwork, which might have been made earlier by someone else. 

I immediately realised this was Watts actually making the original painting. The reason I was so certain was that it was unfinished: the final version has musical notes floating up from the bagpipes – and they were not yet there in this photo. On a closer look, the bag on the pipes also lacked detail at this stage. 

All we had to do was count the bomb symbols alongside the picture and we would have a date. 

Vic Watts painting kangaroo courtesy Robyn Jackson

Vic Watts painting the kangaroo, courtesy of Robyn Jackson. Photographer unknown

Unfortunately, real life is rarely that neat. As you can see, Vic Watts's arm gets in the way, as does one of the propeller blades of the aircraft's Number 2 engine.

Nevertheless the picture was 'gold dust', and Richard made a six-hour round trip to her farm to collect the original, in order to make a high-resolution scan. (Incidentally, I have no idea who took the photograph: if anyone does know, do please get in touch.) 

It was apparent that it showed certainly 12 operations, and because they were in rows of 12 there might be (out of sight) as many as 18. Either way that placed the likely commissioning crew as that of a Scotsman, Sergeant J D Ogilvie – unusually, a British pilot on an Australian squadron. 

Ogilvie's regular crew included three more Brits: wireless operator Sgt P W Moore, mid-upper gunner Sgt S F Hare, flight engineer Sgt John (Jack) "Mad Mac" Mckenzie, who came from Wales but had a Scottish father and a Welsh mother. The other three crew members were all Australians: navigator Sgt R J Garrett, bomb aimer F/O H G D Dedman and rear gunner Sgt J E Atherton.

Incidentally, although Vic Watts sang well and played several instruments, it seems he did not know much about the bagpipes. The Scots version he was presumably depicting usually has five pipes: the one you blow into, the "chanter" that you play the tune on, and three drones, as they are called, which sound constant notes – one much longer than the other two. His kangaroo has four drones of varying lengths. Artistic licence.

TARTAN

There remained one glaring issue that our photographs could not help with: what colours he had used. An educated guess could be made on the kangaroo, given the orangey red hues of the real animal and the sort of paints Watts would have had available.

Wellington boots in those days were any colour you wanted, as long as it was black. I have never been convinced from interpreting the greyscale of the original photos that he had painted them black, but in the absence of any evidence, I went with the obvious solution.

 

Screen Shot of some of my tartan colour tests

Some of my tartan colour tests

But then, crikey, the tartan on the bagpipes' bag cover. I ended up with some educated guesses based on various Ogilvie tartans, and experimented with converting these to greyscale images to see which most closely matched the originals – although anyone who has researched wartime images knows that interpreting colours is made tricky by variations in film, lens filters, processing techniques and developer filters.

I gave it my best shot. As PA474 was unveiled in the restoration hangar at Duxford, I was pleased to see that the 'official' version looked remarkably similar. Job done.

The wider search for information about the aircraft and its crews threw up errors in various official records and – to my surprise – logbooks in which the aircrew had written down incorrect serial numbers for aircraft they had been in, sometimes more than once. 

We also discovered why W5005's pilot at the date depicted in the bomb tally on PA474 (September 1943), 21-year-old William Edward Maxwell Bateman, was known by all as Jerry – and with that something of the troubled history of the pearl fishing industry in his home town, Broome in Western Australia. 

It had been a fascinating exercise that reminded us yet again of the enormous sacrifices made by these young men. 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingThe search for the Lancaster bagpipes kangaroo artist

Flight Artworks RAF Memorial Flight depictions unveiled

34283731135_b76a35a2a7_b

Colchester, 26 April 2017

Three recent commissions of mine have now been published in full colour in the RAF Memorial Flight Official Club Yearbook: a terrific read, by the way, and well worth getting hold of even if you are not a member of the club. 

They are all available as prints in various formats, sizes and prices through the Flight Artworks website and authorised print partners. 

As you can see above I put together a loose 'finger four' of Desert Air Force Spitfire Mk IX fighters from 92 Squadron over Tunisia, which forms the top of a double-page spread. In the foreground is EN152 QJ-3 – the scheme that the Battle of Britain Memorial Flight's MK356 is going to represent (even though it is a different mark). I wrote previously about the research that went into the colour scheme for that. 

NOSE ART

Another is my dive bombing scene featuring low-back, clipped-wing Supermarine Spitfire XVI TD240 when it was the aircraft of the Officer Commanding No 131 (Polish) Wing, Gp Capt Aleksander Gabszewicz in 1945. It carried his colourful boxing dog nose art. This is the scheme that the BBMF's XVI, TE311, is being repainted to represent. 

Kangaroo nose art Gary Eason after Vic WattsThere is more colourful nose art for BBMF Lancaster PA474 as it morphs into W5005, AR-L for Leader of 460 Squadron RAAF at the end of September 1943. 

This showed a kangaroo in Wellington boots playing bagpipes – a reflection of the tri-national Australian, Scottish and Welsh crew who commissioned it from squadron artist Vic Watts.

The story of how we pinned down the details of who created the original nose art, and when, and what the colours might have been (only black and white photos exist) bears telling separately in full. Look out for a future blog on the subject. 

PA474 is being repainted to depict W5005 on its port side although, following convention, it will retain its own serial number I understand. On starboard PA474 will be the 50 Squadron Lancaster LL922 / VN-T. I have now also depicted that reincarnation. 

COVER PICTURES

The latest piece out of the Flight Artworks studio is an air-to-air visualisation of the only extant Supermarine Swift F4, WK275. Its restored (but not airworthy) airframe currently resides alongside Avro Vulcan XH558, sadly no longer flying either. 

Swifts were not the most successful aircraft ever deployed by the RAF and not many were made but they had a certain style, I think you'll agree. A very different version of the picture will be appearing as a book cover later this year. 

Talking of covers, if you wondered who created the Sea Harrier artwork for the cover of the May issue of The Armourer magazine about the Falklands War – that would be me

[A version of this article, with a special discount offer, appeared in a newsletter to registered users of the Flight Artworks website]. 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingFlight Artworks RAF Memorial Flight depictions unveiled

EXCLUSIVE: Two new paint schemes for BBMF Lancaster

Avro Lancaster PA474 Gary Eason _DSC2837

Colchester, 23 October 2016

EXCLUSIVE: I gather that the Battle of Britain Memorial Flight's Lancaster, PA474, will have not one but two new paint schemes following its winter service.

The left-hand side will be painted as 460 (RAAF) Squadron Lancaster W5005, coded AR-L "Leader", which had nose art of a kangaroo playing bagpipes, indicating the Australian and Scottish backgrounds of one of its crews. (Some sources say this was on JB607 AR-N, but I am reliably informed this is a case of mistaken identity).

The right side will carry the 50 Squadron code letters VN-T, representing the Lancaster flown by FO Douglas Millikin DFC – grandfather of the BBMF's current Officer Commanding, Squadron Leader Andy "Milli" Millikin, on 27 of his first tour of 30 operations.

PA474, the only Lancaster currently still flying on this side of the Atlantic, recently moved from its base at RAF Coningsby to the Aircraft Restoration Company's magnificent newly-opened Stephenson Hangar at Imperial War Museum, Duxford, for a major service, following which the repaint will also be carried out.

The decision on the new colours was confirmed this week and announced at the flight's end-of-season guest dinner by Sqn Ldr Millikin. His grandfather's crew's wireless operator, John Tait, was at the dinner. 

LONG SERVICE

The original Lancaster W5005 completed at least 44 operations while it was with 460 Squadron at RAF Binbrook in Lincolnshire, including four to Italy and four to Berlin, between 1943 and 1944. 

It was then transferred to 550 Squadron, where it kept its nose art but was recoded BQ-N.  It made another 50 trips and was well on its way to becoming one of the rare 'centurions' (more than 100 operations) when it was ditched in the Humber Estuary as it was returning to RAF North Killingholme from an attack on Kiel in August 1944. No-one was injured but the aircraft was lost. 

The Australian War Memorial's collection has a photo of its nose art as it was in August 1943. The chap in the pilot's seat is Flight Lieutenant Alexander Stuart MacWilliam DFC, who was the squadron's gunnery officer: he had no direct connection with the aircraft. 

Australian War Memorial collection PD image UK0396

 

 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on on Instagram @flight.artworks.

Continue ReadingEXCLUSIVE: Two new paint schemes for BBMF Lancaster

Dambusters Lancasters practising … in Essex?

Dambusters Abberton crop Gary Eason

Dambusters rehearsing at Abberton Reservoir © Gary Eason / Flight Artworks

Colchester, 17 November 2015

One of the delights of this part of the world is the number of nature reserves within a short distance of my office.

Among them is the Essex Wildlife Trust haven at Abberton Water, a reservoir – recently expanded – that is a specially protected, internationally important wetland because of its resident and transient wildfowl populations. 

In spring 1943, when the reservoir was only a few years old, it was visited by a flock of altogether more sinister 'birds': the specially adapted Avro Lancaster bombers of 617 Squadron – who in May that year would undertake an extraordinarily daring raid against dams deep in Germany and in so doing acquire their famous nickname, the Dambusters.

It is fairly common knowledge, thanks in no small part to the celebrated 1955 film about the operation, that the aircrews trained for it in the Derwent Valley in Derbyshire, at Howden and Derwent Dams.

Less well known is that they also tested their extremely low-level precision attack at Eyebrook Reservoir, near Uppingham on the Leicestershire-Rutland border – and here, at Abberton.

Topography

Remarkably, in their final rehearsals, Abberton was the stand-in for the Edersee. I remark on it because the landscape through which the Eder reservoir twists is picturesque, steep-sided wooded valleys. I have been there (in the pouring rain); it is pretty, green countryside as you can see from my photo.

Below the Eder by Gary Eason

The narrow, steep-sided valley below the Eder dam

The terrain at Abberton, on the other hand, is rather flat and largely featureless. To the casual observer the two locations could hardly be more different.

It has been suggested that they look similar from the air. Well, no they don't – and in any case, the Lancasters of 617 Squadron were not exactly going to be approaching "from the air", they were tree hopping.

It seems more likely that it provided a useful navigation exercise: Abberton is about the same bearing from the Eyebrook as the Eder is from the primary target that night at the Möhne – albeit nearly twice as far.

Even weirder, you might think: the Derwent Dam with its distinctive towers was the stand-in for the Sorpe, which has a totally different construction and no towers, and was hit along its length rather than at right angles – by the Upkeep dropped by bomb-aimer George Johnson, now the last British survivor from those who took part. 

Full dress rehearsal?

The squadron's official historian, Dr Robert Owen, told me: "Somewhere in the Lake District, such as Ullswater, would have been a better representation if a realistic rehearsal for the attack on the Eder were intended.  

"This perhaps reinforces the view that Abberton was used rather because it was a large stretch of water at a location that was conveniently placed in relation to the cross country routes, rather than for its physical characteristics of the target."

At any rate the squadron's leader, Wing Commander Guy Gibson, recorded in his flying log book that a "full dress rehearsal" was carried out at "Uppingham Lake and Colchester Res."  (his terms for the Eyebrook and Abberton) on the night of 14 May 1943, two days before Operation Chastise itself. He added: "Completely successfull [sic]".

Now, I have been involved with a fair bit of theatre over the years, and the point of a "full dress rehearsal" is to run the whole show as if it were the real thing.

What is the single most defining characteristic of the dams attack? Surely the extraordinary sight of those huge, revolving, 4.6-ton cylindrical depth charges bouncing across the water after being released at a precise speed, height above the surface and distance from the target.

Steep climb-out

Of course in a rehearsal they were not actually going to let off these massive weapons – the only live test of one had taken place many miles off the Kent coast. But the description "full dress rehearsal" does suggest they did spin up inert ones and sling them across the water to test all other elements of what was to unfold – no? 

"The aircraft did not drop any weapon, and it is unlikely that they even carried an inert Upkeep on these runs," Dr Owen said.

"The aircraft ran in across the lake, using their spotlights to achieve the correct height, fired a red Very light [pistol flare] as they crossed the dam, then climbed steeply away (possibly to simulate the manoeuvre required for the exit from an attack on the Eder dam)," he said.

This steep exit was necessary because the bluff beyond the dam rises to almost 1,400ft (425m) within about half a mile, the river valley turning sharp right.

You might recall that the 1955 film The Dam Busters does show 617's Lancasters dropping small practice bombs near a floating target buoy at the Derwent. Never happened, apparently, not on any British reservoir. This aspect of the training was done on the Wainfleet range on the Lincolnshire coast.

Which brings me back to my picture, depicting the special Type 464 (Provisioning) Lancasters running across the water at 60ft as determined by their spotlight altimeters — but not carrying any weapons.

What prompted me to double check all the details was that a big framed print of this is going to be hanging in the Layer Fox pub near Abberton reservoir, and I promised to write an extended caption to accompany it. Look out for it if you're having a pint.

Cheers!

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on on Instagram @flight.artworks.

Continue ReadingDambusters Lancasters practising … in Essex?

Remembering Berchtesgaden Lancaster “F for Freddy”

Lancaster-LM756-PG-F-shot-down-Gary-Eason-sm

High Wycombe, 30 Jan 2015

There is an interesting story around all the pictures I get asked to make, but it is usually about the original circumstances that are being portrayed. 

In the case of this latest commission however there is also a story behind why the picture itself came to be made, and where it is going.

It depicts the shooting down of Lancaster LM756, PG-F of No 619 Squadron RAF, during a daylight operation against Hitler's Eagle's Nest retreat at Berchtesgaden in the Bavarian Alps on 25 April 1945  - almost at the end of the war in Europe, 70 years ago.

The operation involved 359 Lancasters and 16 Mosquitos from RAF Bomber Command's 1, 5 and 8 Groups. LM756 was one of six Lancasters from 619 Squadron, based at RAF Strubby in Lincolnshire, which went in ahead of the main force to check the wind speed and direction, and disrupt the German radar defences by dropping metal foil 'Window'.

According to survivors' accounts they had a clear run at about 22,000ft over their designated bombing target – the SS barracks – but then were coned in anti-aircraft fire and shot down in flames.

Three men bailed out and were prisoners of war briefly until liberated by the Americans: flight engineer Fred Cole, bomb aimer Art Sharman and wireless operator Jack Speers. Four of the crew died with the aircraft: Wilf DeMarco (Pilot), Norman Johnston (Navigator), Gordon Walker (Rear Gunner) – all Canadians – and Edward Norman (Mid-upper Gunner).

Austrian memorial

I heard about the story when I was contacted by Nottinghamshire Fire and Rescue Service Watch Manager Kevin (Kev) Ruane MBE. He had seen my work and wanted to know if I could make a picture about F for Freddy.

In 2013 Kevin's role in the Fire Service International Youth Leaders Commission had taken him to a small town called Adnet in Austria, a few miles from Berchtesgaden, where he met the mayor, Wolfgang Auer.

Kevin speaks German fluently, having lived in Germany for nine years after serving there in the Army. Burgermeister Auer told him about the Lancaster that had crashed near his town and said he was keen to have a suitable memorial built, inviting members of the crew's families and of the 619 Squadron Association to its unveiling.

At the time neither of them knew that one of the crew - the bomb aimer, Arthur (Art) Sharman – was still alive. He died shortly after, aged 93. 

Kevin followed up the conversation by using the 619 Squadron Facebook page to pursue the mayor's  idea and now, two years later, on the 70th anniversary of the operation, it is all about to become a reality. He approached me because he wanted to be able to present a framed print to Herr Auer. 

Details

From what I can tell the Lancaster must have been a fireball as it went down onto the mountainside outside Adnet. I chose to portray it part way through the drama, before the starboard wing also burst into flames, so that the squadron codes were still visible.

At this point Art Sharman is descending by parachute in the distance. Flight engineer Fred Cole hangs limply from his: he passed out after being pushed from the 'plane  clutching his bundled parachute, which had inadvertently been opened inside the cockpit. 

The man who helped him to get out, wireless operator Jack Speers, is still inside the burning Lanc but is also about to make a successful exit. He was the third and last survivor – the other crew having been killed outright or fatally wounded by the flak shrapnel. 

Kevin runs a website about F for Freddy which has considerable detail about the operation, including accounts by the crew who survived. I also had a useful chat about certain technical details with the secretary of the 619 Association, Joe Dutton, who was also a bomb aimer on the squadron at the time. Indefatigable at the age of 91, he was in the process of organising their next reunion, set for this April. 

619 Squadron was in existence only from April 1943 to July 1945. It apparently does not even have a squadron crest in the RAF Club and is sometimes referred to as the "forgotten squadron". 

Well, not entirely, and I am pleased to have had a small part in honouring the memory of some of the men who did not return. Gone – but not forgotten. 

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 TO BUY PRINTS  of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes. Publishers' enquiries are also welcome: many images are available already to license through the Alamy agency.

To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, and on Twitter @flightartworks.

Continue ReadingRemembering Berchtesgaden Lancaster “F for Freddy”

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