Topsy turvy new Flight Artworks picture published

 

Spitfire PS915 Clive Rowley inverted Gary Eason 1000

Spitfire PR XIX PS915 inverted


Colchester, 24 April 2018

It is always a bit of a strange feeling when pictures that you finished some months previously under embargo are finally published and suddenly now in the public eye.

I was delighted to find a copy of the latest RAF Memorial Flight Yearbook waiting for me on my return from a wonderful week in the remote Mani peninsula in the Greek Peloponnese – there'll be more photos from there on the photography side of my website shortly.

I was asked to make two pictures for the 2018 Yearbook. One is a fairly straightforward depiction of a Battle of Britain Spitfire – except that, of course, every picture has a story to tell.

In this case it's about "nine lives" Al Deere, the New Zealand fighter pilot who, one way or another, by his own account should have lost his life in multiple scrapes.

I was called on to portray the Spitfire he named "Kiwi III" during one of those sudden lulls in a hair-raising aerial combat maelstrom, off the North Foreland of Kent in the summer of 1940.

IN THE CAN

The reason for it, I was told last October, was that one of the BBMF's Spitfires, venerable P7350, would be going in for a major servicing and would emerge in a new colour scheme: Al Deere’s 54 Squadron Battle of Britain Spitfire Mk1 R6981, which carried the codes KL-B.

 

Al Deere Spitfire Kiwi III North Foreland Gary Eason

Al Deere in Kiwi III

As usual, they would not have any photos of the new scheme until the Yearbook had appeared, which is where I came in. And of course – no surprise – there were no actual photos of the original aircraft. Got that T-shirt.

By a brilliant bit of happenstance, from my point of view, I had shot some photographs of that precise location at about the right altitude a few months earlier – rather bizarrely (in the circumstances) as my wife and I were returning from … Deere's home country, New Zealand.

Background sorted, with the addition of some weather to suit the reports from that day, I screwed the rivets and painted the codes onto his Spitfire – along with my best guess at what his Kiwi logo might have been like. You can find the finished version here on the Flight Artworks website

The next request was, technically, much more interesting. It was to illustrate a very personal anecdote by the memorial flight's sometime commanding officer, now historian and publications editor, Squadron Leader (Rtd) Clive Rowley MBE, about the time he was displaying Spitfire PR XIX PS915 in the Isle of Man and the undercarriage jammed up.

Cutting it short: the techies advised that he would have to fly straight and level upside down to get it to deploy.

I learnt more than I thought I would ever need to know about Spitfire landing gear in making this one. For example: those little loops sticking out from the main "oleo" legs? I had never really noticed them before – but those are where the locking pins go that hold the gear up when retracted. And thereby hangs the whole story.

OLEO LOADING

Gear deployment? It's a close thing but the port wheel travels first, then the starboard – so it needed to be shown "legs akimbo". I hope I got the differential about right.

And artistic licence, frankly, on what the oleos look like when not under load but upside down and therefore under their own, unaccustomed, gravity loading.

Short of getting someone to do it again so we can watch, I daresay no-one knows what this actually looks like so my picture might be unique in that regard.

In other details: at the time, PS915 was wearing the 152 Squadron South East Asia Command (SEAC) colouring of UM-G, which had the squadron’s leaping black panther on the fuselage.

I love those five-bladed props, by the way. 

Well, probably not a best seller as a picture but a fascinating one to work on. Here is my finished version.

Enjoy the Yearbook: it's a terrific read.

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To buy prints of any of my works please visit www.flightartworks.com.

As well as commercial assignments I also do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on Instagram @flight.artworks.

Continue ReadingTopsy turvy new Flight Artworks picture published

Swan like progress

Screen Shot 2016-03-06 at 19.00.25

Supermarine Spitfire prototype K5054 © Gary Eason 2016

Colchester, 8 March 2016

If things have seemed serenely quiet lately, rest assured I have been paddling furiously below the waterline. 

I am delighted to have announced a new picture this weekend: the prototype Spitfire K5054. The usual range of prints is available here in the 1936-40 gallery on the Flight Artworks website.

This is one of those pictures I have had in my mind's eye for some time. I was finally prompted to make it by the anniversary of the first flight 80 years ago of the prototype Vickers Supermarine Type 300 – to be named the Spitfire.

I chose to depict it in its unashamedly pretty early livery, before it acquired warlike camouflage. It was a delight to work on, it is such a beautiful thing. Sculpture in flight. You know the old adage that if an airframe looks right it will fly right: it was obvious from the outset that this was going to be a brilliant machine.

What a terrible pity that its designer, RJ Mitchell CBE, did not live to see the legend that his invention would become. 

As an aside, anyone who has researched it will know that debate continues to this day as to quite what shade of blue, grey or green it was painted – at first, soon after, and not long after that. I am not going to join in. 

PRINT SALES AND LICENSING

I would like to say a brief thanks to all my latest print buyers. There has been an upsurge of interest recently – not least because of the double-page spreads featuring my depiction of 602's Finest Hour in the March issue of Britain at War magazine.

Another exciting licensing development should be appearing soon but I won't say any more about that until the exclusive item is available – except to reiterate to publishers that if you have a hole to fill, whatever shape, please do ask me about creating something suitable. 

Meanwhile I have been working on some complex but thrilling pictures about a quite extraordinary event. Under wraps for now but it has involved a considerable amount of time – one of those scenes that make me ponder my general policy (so far) of pricing all pictures in essentially the same way, by print size. Should a 'simple' photo cost as much as something that took me two weeks to make, along with often considerable incidental expenses?

Swings and roundabouts, or flexible pricing? As always, your thoughts on that or anything else are welcome. I enjoy the e-mail or social media dialogues. 

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To buy prints of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes.  To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, on Twitter @flightartworks, and on on Instagram @flight.artworks.

Continue ReadingSwan like progress

Gas patch soup: making Flight Artworks accurate

Spitfire Mk I R6596 flat_pr_blog
Allan Wright's Spitfire R6596, August 1940 

High Wycombe, 12 Feb 2013

Someone saw this picture on Facebook and asked what the yellow diamond shape was on the port wing.  A gas detector patch. 

His further comment prompted me to write this article. He said: 

"Of all the time I have studied, built, and cherished this time in History – this is the first time I have seen this! Thank you!"

When I was commissioned to make this Spitfire portrait I found, in one of the splendid Alfred Price Aces… books a (typically low quality) contemporary black and white side view of R6596, which is how I know that it had such large QJ-S lettering – and that peculiar big and non-standard fuselage roundel with its acres of white. Although not unique, this was unlike even the one on the aircraft alongside it. I've not seen any other profile of R6596 that gets this right.

The wing surface is indistinct in the picture so to an extent the gas patch is an educated guess. But they were on very many military aircraft and vehicles/equipment of all sorts in 1940. And see, for example, the still flying Spitfire P7350 of the Battle of Britain Memorial Flight. Sometimes placed as a diamond, like this one, other times square on to the fuselage, typically attached with red doped strips.

The aerial wires are also deduction. The new type of VHF equipment did not go into general service until September onwards, and this is August. So the aircraft retains the aerial wire from the mast to the fin. It would not yet have wires for the IFF equipment running from the fuselage roundel to the outer leading edge of the tailplanes. See info on The Spitfire Site.

Spitfire wing variants are a bit of a nightmare for modellers of any kind, but fairly straightforward on this aircraft (I think!). Elevators: older type without the 'horns'; and like the ailerons at this time, fabric covered (the details are in my picture though you probably cannot make them out at this resolution).

Incidentally, looking at the tail fin in that old photo of R6596, it does appear that the red-white-blue flash colours are reversed, i.e. blue-white-red. This is a guess from the greyscale picture. This would not be unknown but certainly very odd, so in the end I stuck with convention on that detail.

Why bother with this level of accuracy? Because that is what Flight Artworks is all about. So please do let me know if you see something in a picture that you think I have got wrong. I will thank you for it.

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 TO BUY PRINTS  of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes. Publishers' enquiries are also welcome: many images are available already to license through the Alamy agency.

To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, and on Twitter @flightartworks.

Continue ReadingGas patch soup: making Flight Artworks accurate

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