Latest Flight Artworks images have a D-Day theme

Normandy Typhoon shockwave © Gary Eason / Flight Artworks

Colchester, 29 April 2019

My most recent D-Day related image is somewhat experimental, depicting as it does the visible shockwave from a bomb dropped by a Hawker Typhoon in Normandy in 1944.

We see the blast across the ground and, most strikingly, through the air.

In very slow motion films of such an explosion you can see a ripple in the atmosphere through the way the light is refracted, distorting the background. This was the effect I sought to capture, as if the image had been caught at just that moment.

Shockwave detail“ class=
Shockwave detail

I was sceptical whether it would work. But I decided to have a go, devising multiple overlapping techniques to create the effect.

I like the result. I am still in two minds as to how other people will react and, crucially, whether or not anyone will license the image or buy prints. But if needs be I can always publish a version without it!

The Typhoon had a fearsome reputation as a ground attack aircraft – although in reality the precision achievable by pilots under even ideal conditions was debatable. They could wreak havoc, but they could also miss entirely.

This becomes clear when you read through the accounts in the squadron records, as I did with 193 Squadron.  

Sometimes they report “good results seen by pilots” when attacking German troop concentrations or motorised transports. In a combined operation with 167 Squadron’s rocket-firing Typhoons on 27 June they reported that they “completely destroyed” the  headquarters of General Friedrich Dollmann, head of the 7th Army. Dollmann died in the attack.

At other times things did not go so well. For example, 20 June: ‘A’ flight bombing a Noball target south west of Omer. (‘Noball’ was a codename for targets related to the V1 flying bombs that the Germans began firing across the Channel into southern England shortly after D-Day.)

“The attack was carried out as briefed but no damage seen to be done by bombs,” the record says.

The other point I am making in my picture is that the pilots had to have nerves of steel, to dive straight at targets that were often heavily defended by light and heavy anti-aircraft weapons, while also risking being caught in their own or another aircraft’s bomb or rocket blasts.

SPITFIRE ACTION

This new publication follows quickly on the appearance of another Normandy Invasion picture, depicting a Spitfire shooting down a Messerschmitt fighter on D-Day+1 (7 June 1944), which in fact I completed some time ago under embargo.

Magazine spread“ class=
Published version: Normandy Spitfire attack © Gary Eason

This was commissioned to be the double page centrefold in the 2019 Yearbook from the Royal Air Force Memorial Flight Official Club, which I am proud to have been asked to undertake.

The yearbook heavily features D-Day material because this is the 75th anniversary. The action I have depicted involves Spitfire IX MK356, which at the time bore the 2I-V markings of 443 Squadron (RCAF), but which is still in operation with the memorial flight.

MK356 was one of two Spitfires that chased down a Bf109 G-6 close to the mouth of the River Orne, just east of the Sword landing beach assigned to the British 3rd Infantry Division.

Reeling under the fire from the Spitfire’s cannon and machine guns, the German aircraft blew up seconds later.

According to 443’s record of operations, the action took place “on the deck”. That’s a term that means different things to different pilots, from perhaps 500ft down to 5ft – but I have shown it as happening at less than 100ft over the river estuary.

We feel reasonably confident that the Luftwaffe pilot was probably Unteroffizier Albert Zillmer. He was lost without trace while flying Bf 109G-6 Werk# 441135 “Yellow 5 + I” of 9./JG3, which had just moved to St. André de l’Eure, 75 miles WSW of Caen. It was near Caen the he and other 109 pilots were “bounced” by 443 Squadron.

Invasion stripes detail“ class=
Invasion stripes detail

As so often, I had to use a certain amount of educated guesswork in illustrating the Spitfire’s markings, particularly as regards the black and white “invasion stripes”.

These were executed hastily on Allied squadrons immediately prior to D-Day, using distemper which almost immediately began to wash off in the poor weather. They usually owed more to expediency than to artful technique, and I sought to replicate this by, in effect, hand painting the edges of the stripes in Photoshop.

We don’t have a photograph of MK356 from the time and the photos that do exist of other aircraft on the squadron are not exactly in the sharpest high resolution quality. But so far as you can tell it looks as though the pre-existing code letters were outlined in dark paint.

Putting myself in the place of an aircraftsman with a big paintbrush who had been told to get them all done PDQ, I interpret this as an absence of the distemper, so that the underlying camouflage paint showed through, making the code letters, serial number and roundel stand out.

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New challenge: two-seat Spitfires and a Hispano Buchon

Spitfire TR9s and Buchon fighterSpitfire TR9s and Buchon fighter affiliation experience © Gary Eason / Flight Artworks

Colchester, 27 February 2018

This one turned my usual work upside down.

The normal Flight Artworks brief is to use the ‘time travel’ button on my custom-built Nikon camera (cough) to create high-resolution colour pictures of aircraft – mostly from WWII, when there was a lot of aerial combat and very few photographs.

A client who has been lucky enough to have made several flights in various warbirds, including three Spitfires, asks if I can recreate the “untoppable experience” of a fighter affiliation trip with another two-seat Spitfire and a Hispano Buchon in Messerschmitt Bf109 markings.

He has some photographs from the day, taken on the ground and in the air. In which case, I wonder, what does he want me to do?

When I see them I get the point. It was a dull day with low cloud, and possibly rain – and it is very hard to convey the overall experience when you’re in the back of one of the Spitfires. He is looking for something that reminds him of the overall sensations.

The essential set-up was a tailchase. Following my usual practice, I sketch something that has the Spitfires up front – with ‘his’ in the foreground – and the Buchon off to the rear. I substitute a sunny day with fluffy clouds.

He would prefer to have them all in the front of the frame and after juggling various ideas my fifth sketch hits the spot: “That’s it – you’ve nailed it – that will look glorious.”

And so to work.

REFLECTIONS

Which brings me back to where I started. The gloriously restored and maintained ‘warbirds’ that we see flying around are, understandably, so lovingly cared for that they positively gleam. Under wartime constraints that had to come low on the list of priorities.

There is a theoretical debate to be had about the nature of paint finishes, cleaning, polishing-for-speed and so on – but in practice, in general terms, working aircraft looked up-close … well, rather like the boot sill of my car on a February weekend after the dogs have been tearing around in the muddy woods all afternoon.

To that end, I keep a stock of textures in Lightroom that are layered onto pictures I’m making as “grime”, “grubbiness”, “smears”, “streaks” and so on.

For this picture, with three beautifully presented, preserved aircraft to depict, I was instead having to find out much more about applying reflections – which proved to be a very useful exercise in both observation and Photoshop work. 

In the final composition, all three are turning in the same direction but the centrepiece, with my client in the rear seat, is coming in over the top and partly inverted.

THE AIRCRAFT

His mount for the day was Supermarine Spitfire MJ627 in the markings of 9G-P of 441 (Silver Fox) Squadron, Royal Canadian Air Force (RCAF), the unit it first served with as a Mk LF.IXc in 1944. 

Tandem Spitfire
Tandem Spitfire MJ627

From what I have read, after the war it was converted to a two-seat trainer for the Irish Air Corps, but subsequently pillaged for spare parts until it was purchased for restoration in the 1970s, eventually flying again in 1993. 

It has continued in flying trim ever since, apart from repairs after a forced landing in the late 90s, and is now operated by Warbird Experiences Limited at Biggin Hill. Since the flight depicted here – which was in 2014 – it has been re-coded as 9G-Q, its first operational designation, with its D-Day stripes pared down to the undersides only.

Spitfire TR9 SM520
Spitfire TR9 SM520

The other Spitfire is SM520, built in 1944 but not used operationally until being sold to the South African Air Force (SAAF) four years later. It suffered two accidents and was sold for scrap in 1954.

A quarter of a century later some of its major parts were recovered and eventually returned to the UK as a restoration project, involving conversion to its current TR 9 two-seat configuration. It is now owned by Boultbee Flight Academy and flies in the markings of an RAF two-seater that was converted from a 4 Squadron SAAF Mk V Spitfire in Sicily: KJ-I.

The Buchon is a film star. HA-112-M1L wears the ‘Yellow 10’ markings it wore as one of the stand-ins for German Luftwaffe Messerschmitt Bf 109s in the 1969 film Battle of Britain.

Hispano Buchon G-BWUE
Hispano Buchon G-BWUE

These were Spanish-built versions of the 109 which used Rolls-Royce Merlin engines, like the early Spitfire marks.

This machine, built in 1959, was one of a batch of aircraft given to the American pilot Wilson ‘Connie’ Edwards for his work on the Battle of Britain film. Sold back to UK owners in the 1990s it is now operated by Historic Flying Ltd, based at Duxford airfield in Cambridgeshire, with the UK registration G-BWUE.

Not having a model of a TR.9 to hand to work from, my starting point was a Mk IX which I then had to cut up and rebuild digitally. This is not just a case of shoehorning in the extra rear seat, but also involves moving the front cockpit forwards by just over a foot (0.3m).

So, not my usual cup of tea but very interesting to work on. When I began the picture I was not particularly fond of the tandem Spits; they just looked messed about, to my eye, a corruption of the superbly elegant lines of the Spitfire airframe.

But I have to say they grew on me, and now I think the shape works rather well. And I should think none of us would object to being put in one!

I learn from the fascinating Two Seat Spitfire Page on Facebook that there are currently eight airworthy two-seaters in the world and no fewer than six in various stages of repair/restoration and construction. So whatever you think of them, we are going to be seeing more in the skies.

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